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Just as the presence of one literary lion redeems, for an ambitious hostess, the most supine soiree, so the presence of a single preeminent conductor enraptures the patrons of summer musical seasons in the U. S. The "catch" of the Hollywood Bowl is Sir Henry J. Wood, famed British conductor. Recently he put his two feet together on the dais, made his prettiest bow to an audience that was probably the largest of his expansive career-an audience that bulged over acres of ground and crowded into the aisle down which, as Sir Henry bowed, a platoon of Welsh bagpipers...

Author: /time Magazine | Title: Music: Music | 8/3/1925 | See Source »

...knighted. In 1918 the Boston Symphony Orchestra asked him to become its permanent conductor. He refused. Sir Henry is adept at riding on the bicycle, punting, playing billiards, painting...

Author: /time Magazine | Title: Music: Music | 8/3/1925 | See Source »

...Thomas is conceded to be one of the most erratic men alive, but of a friendly, pleasing disposition. In the position of pioneer and patron, he founded in 1907 the New Symphony Orchestra of which he was the conductor. He delved into the literature of music from which he "unfolded treasures that only learned students of art knew to be in existence." In 1908 he formed the Beecham Symphony Orchestra; turned soon after to opera, for which, from 1909 to 1919, he did more than any man in London. In 1915, he became conductor of the London Philharmonic Society. Spruce...

Author: /time Magazine | Title: COMMONWEALTH: Beecham's Pills | 7/20/1925 | See Source »

Born. To Giorgio Polacco, 50, musical director and chief conductor of the Chicago Civic Opera Company, and Mrs. Polacco (Edith Mason), 32, famed soprano, a daughter; in Milan, Italy...

Author: /time Magazine | Title: Milestones: Jul. 6, 1925 | 7/6/1925 | See Source »

Jeritza was delighted with her "triumph". In that first London audience were Nellie Melba, Florence Easton, and the veteran Jeritza had sung with so often, Antonio Scotti. Without a doubt, they knew a triumph when they heard one. Without a doubt they stopped backstage before going home. And the conductor, there was another thing: Conductor Sergio Failonig, prize pupil of Toscanini, who attempts to emulate his master by doing without the scores. He got the sack for appearing "not to have gained the confidence of the artists." They sent for Conductor Leopold Mugnone, the Neapolitan, a great favorite in London...

Author: /time Magazine | Title: Music: Covent Garden | 6/29/1925 | See Source »

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