Word: comically
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...little Irish group was discovering this hash, and we were into very sophisticated strings of long, comic invention because we were into this grass. And because our environment didn't sanction it, we were totally isolated with our experience and it was even more exciting creatively than...
Annie opens tonight at the Shubert. One underwhelmed critic described the show as "Oliver in drag," but audiences from New York to London have adored this musical based on the '30s Little Orphan Annie comic strip. American history and political science concentrators should note with interest the portrayal of ultra-rich industrialist Daddy Warbucks as FDR's old pal. English and Slavic lit. concentrators, likewise, should note the Lolita-like flavor of Annie's and Daddy's relationship. The rest of us can enjoy the Christmas tree. The box office number, if you're twisted enough to want...
...acting is very good, especially by Jeff Conaway as a goodhearted, struggling actor-cabbie and Marilu Henner as the one female driver of the bunch. In more standard comic turns, Saturday Night Live Regular Andy Kaufman brings a saving sweetness to the garage mechanic, who speaks his own variety of fractured English. Danny De Vito barks his way through the role of the dispatcher with a Runyonesque brio. Like the other outstanding show of the new season, WKRP in Cincinnati, Taxi is the handiwork of Mary Tyler Moore alumni. Why doesn't someone give these people a network...
Mork & Mindy (Thursday, ABC, 8 p.m. E.D.T.). Were it not for one inspired stroke of casting, this sci-fi sitcom would be indistinguishable from the rest of the kiddies' drivel aired by ABC at 8 each night. Robin Williams, a new young comic, sends Mork & Mindy into hyperspace. The show casts him in the role of Mork, a friendly alien who settles in Boulder, Colo., with Earthling Mindy (Pam Dawber), after leaving the planet Ork. It's a premise more appropriate to Saturday morning TV than prime time, but Williams transforms trivia into a tour de force...
Perverse? No, the picture is downright subversive, a brutal comic assault on that most basic of institutions, the family. The attack is every bit as relentless, unfair and "tasteless" as Altman's devastation of the military was in M*A*S*H. Although the family is certainly undergoing change and questioning, the director does not have a national mood of disgust (which Viet Nam provided for the earlier picture) to support him. All he has is his own disarming skill as a moviemaker to keep audiences in an accepting mood...