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...took what pop did to art and applied it to drama in his 1966 play, It's A Bird, It's A Plane, It's Superman. Though the show flopped on Broadway--folding after 129 performances--it made stage history of a kind. This was the first time a comic book hero was ever adapted to the stage, and treated as a serious work...

Author: By Mary G. Gotschall, | Title: Faster Than a Speeding Bullet | 11/8/1978 | See Source »

Before working on the show Borowitz had already garnered an impressive list of credits in Harvard comic theater. Last year he wrote the script of the Hasty Pudding show, "A Thousand Clones." He also kept himself busy directing his original show, "Gars and Goyles," a musical comedy of The Hunchback of Notre Dame...

Author: By Mary G. Gotschall, | Title: Faster Than a Speeding Bullet | 11/8/1978 | See Source »

SUPERMAN, a musical comedy in two acts, is cleverly set against a comic-book backdrop of the city of Metropolis. In the upper left-hand corner of the stage is the "DC Comics" logo. Superman--played by Randy Stone '78--first appears by stepping out of a slit in the painted-on telephone booth. One has the sense early on in the show that Superman--and indeed all of the characters--step off the pages of a comic book onto the stage. Later on in the play, rather than use regular furniture in the Daily Planet newsroom, Borowitz utilizes flat...

Author: By Mary G. Gotschall, | Title: Faster Than a Speeding Bullet | 11/8/1978 | See Source »

Laura Hastings' '80 Lois Lane, on the other hand, sparkles with freshness and originality. She has added comic dimensions to the character which never existed in either the "Superman" television series or in the comic books. Lois is at once the ardent feminist--"I'm not a girl," she declares, "I'm Today's Active Woman"--as well as the lovesick, horny girl who purrs the song "Oh, How I Wish I Weren't In Love With Superman...

Author: By Mary G. Gotschall, | Title: Faster Than a Speeding Bullet | 11/8/1978 | See Source »

...prose that runs annoyingly flat. Tom McGuane jumped the stakes on himself; the epigram that begins the book is "The best epitaph a man can gain is to have accomplished daring deeds of valor against the enmity of fiends during his lifetime." Worthy sentiments, but that hardly makes the comic Nylon Pindar a fiend. More a shitsucker, in Chet's phrase, more Runyonesque. The Caribbean syndicalist novel is not an art form of the future; after all, Hero's engine never really ran anything; it just went around in circles...

Author: By Joseph Dalton, | Title: The Caribbean Syndicalist Novel | 11/8/1978 | See Source »

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