Word: comic
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Dates: during 1980-1980
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...conflict that features an attack by the Hawkmen, hearty barbarians who flap about on giant wings. Max Von Sydow has a good time as Ming, and Ornella Muti, as his daughter, is simply gorgeous. All in all, Flash Gordon is as good an approximation of the hard-edged, gaudy comic-book style as one is likely...
That line is all right, within limits. If memory serves, the comic-strip Popeye spent some time in just that...
...constructed on Malta, and it is as jumbled as Segar's Thimble Theatre was clean-lined. Worse, the sound track is constantly amutter with asides, off-screen voices, half-overheards-Altman trademarks at odds with the spare, sharp verbal play that was one of the delights in the comic...
Shelley Duvall makes a fine Olive Oyl lookalike, but Popeye, as played by Robin Williams, appears to be undergoing an identity crisis far beyond the powers of spinach cure. As a result, his moral force -and he was once one of the great comic-strip exemplars of righteousness tied to a short fuse-appears sicklied o'er with the pale cast of self-absorption. The rest of the characters-excepting Swee'Pea (played by Altman's grandchild, Wesley Ivan Hurt)-are blurs of lost innocence...
...party to an answer to the working woman's prayer: a "liberated" work space, complete with racial harmony, reformed alcoholics, a day-care center and athletic amputees vaulting merrily from wheelchair to desk chair. Through the ordeal, Lily and Dolly prove themselves game professionals. Tomlin is a crackerjack comic actress, even when the confection is stale, and Parton has as fetching a way with a line of dialogue as she has with the curve of an angora sweater. Only Fonda succumbs: she plays her character like a cross between Barbarella and Barbie doll. But that is Higgins...