Word: coloration
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Dates: during 1910-1919
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...loaned by the Misses Norton. Two of these have been attributed to Tintoretto: one is a large painting of a woman playing a lute and the other is a portrait. A large painting of the Adoration of the Shepherds, perhaps by Bonifazio Veneziano, is a good example of Venetian color. There are three other Venetian portraits and an early Siennese Madonna and Child with saints by Sano di Pietro. An attractive little Annunciation by Lorenzo di Credi is loaned by Mr. W. E. C. Eustis. There is also loaned by Mrs. Louis Cabot, Mr. Augustus Hemenway...
Twenty facsimile reproductions of Flemish and Dutch paintings, from the van Eycks to the elder Breughel have been given by Mr. H. W. Putnam. These reproductions are in the size of the originals and are strikingly like them in color scheme. They were published under the guidance of Professor Pol de Mont, director of the Royal Museum at Antwerp. Among them are such masterpieces as Hubert van Eyck's "Madonna in a Church," Jan van Eyck's Triptych of the "Madonna with St. Michael and St. Katherine," Rogier van der Weyden's "young Patrician Lady," and Quenten Metsys's "Mary...
...poor condition of debating here. However that may be, there are already some signs that a true, general interest in debating and public speaking is returning to us. An opportunity is now presented to many who have declared a concern for the interests of debating to give color to their words by entering vigorously into the present trials. The present is a critical year for our debating. Victories this year would go far toward restoring us to our old position of supremacy. That position, we are sure, is a matter of pride to undergraduates as well as to graduates...
...early type with a gilt background. Certain crudities in the drawing and workmanship are apparent even to those who are not used to pictures of this period, but the sympathetic observer will find that the painting has splendid qualities if judged as a decorative piece. The color and design are rich and beautiful...
...held in the Upper Gallery of the Fogg Art Museum, in memory of Charles Eliot Norton '46. The collection illustrates the intimate friendship of Ruskin and Norton, which extended over a period of more than forty years. The various specimens show Ruskin's workmanship in pencil, wash, and water color, and the exhibit includes some of his remarkable architectural drawings, hasty sketches of landscape, and careful and detailed studies from nature...