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Word: cocteau (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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DUNSTER'S production of the Durrenmatt-Gore Vidal play Romulus excellently reflects the dual nature of the work. It reminds one of many French plays (especially those of Cocteau, Anouilh and Giraudoux) both witty and superficial on one hand, and intensely intellectual and philosophical on the other. The problem of mounting such a production on the amateur level is obvious: the recruitment of actors to perform characters who can simultaneously embrace these conflicting elements...

Author: By Robert Edgar, | Title: Romulus at Dunster House through Nov. 14 | 11/8/1969 | See Source »

...expresses himself cinematically, as a poet does with a pen," said Jean Cocteau of Robert Bresson. "There is a huge barrier between his greatness, his silence, his commitment and his dreams, and the world in which they are mistaken for stumbling and obsession." Une Femme Douce, Bresson's newest film, may go some small way toward razing the barrier. Adapted from a Dostoevski novella about the suicide of a young bride, Une Femme Douce finds Bresson dealing once again with the corruption of innocence, a theme that has dominated his work from Diary of a Country Priest to last...

Author: /time Magazine | Title: Festivals: Distributors' Showcase | 9/26/1969 | See Source »

This prodigious output has long since made the author a millionaire. Simenon's house at Epalinges, a small Swiss village near Lausanne, has 26 rooms, 21 telephones, portraits of its owner by Buffet, Vlaminck and Cocteau. But the house is more important as a mark of contentment for the Liège-born Simenon, who shares it with Second Wife Denise, their three children and a livery of servants. Previously, his restlessness pushed him for varying periods into 30 residences around the world as well as into a sloop on which he cruised through Europe. Simenon even...

Author: /time Magazine | Title: World: A Happy 200th to Simenon | 3/14/1969 | See Source »

THIS consciousness, which has as antecedents such early avatars, as Jean Cocteau, Dada, Joyce, and the Marx Brothers, is to say the least, playful. All art is, of course, to some extent, playful, or draws on elements of the mind that serious people don't take seriously, but these artists are more playful than most. A gallery instillation that has you walk down a long dark tunnel to confront a white painting with the words You Are Here neatly lettered in black, certainly is more playful than the Sistine Chapel. (It was done this summer in London by John Lennon...

Author: NO WRITER ATTRIBUTED | Title: The Beatles | 10/1/1968 | See Source »

Such quaint language endures in the movies from the '30s and '40s that unreel on television with the steady persistence of an arterial throb. Ranging back to the baby talkies, late-show films represent what Jean Cocteau called the "petrified fountain of thought." Ghosts of America's past, they evoke the naivete, exuberance-and problems of a simpler society. To middle-aged Americans, they can also be embarrassments with commercials. Did the public truly love those painful Blondie pictures so much that Hollywood made 28 of them? How did Turhan Bey ever become a star? Did anyone...

Author: /time Magazine | Title: Essay: THE LATE SHOW AS HISTORY | 6/28/1968 | See Source »

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