Word: clint
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Dates: during 1970-1979
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...Drabowsky; 15. Howard Ehmke; 16. Bill Wambsganss; 17. Nippy Jones; 18. Lou Brock; 19. Denis Menke; 20. Vic Wertz; 21. Ed Charles; 22. Herb Pennock; 23. Ed Stroud; 24. Benny Kauff; 25. Walter Maranville; 26. Bobby Thomson; 27. Orlando Cepeda; 28. Lou Novikoff; 29. Frank Howard; 30. Clint Courtney; 31. Gray Eagle; 32. The Silver Fox; 33. The Peerless Leader; 34. Old Reliable; 35. Hoot; 36. Moonman; 37. Gates; 38. Hondo Hurricane; 39. Spider; 40. Mighty Mite; 41. Dixie and Harry Walker; 42. Carlos and Lee May; 43. Christy and Henry Mathewson; 44. Stupid question--too many to list...
...Clint Hartung...
...fraction of what it could have been. Maybe Langella is too good an actor to be frittered away on the screen. I don't mean that as an insult to films, but where else can an actor with no technical resources--a Jack Nicholson (good as he is), a Clint Eastwood, a Burt Reynolds--come off so well? Langella has broad features that express grand emotions, a voice as resonant and mellifluous as any in the American theater, and consummate physical control. In one scene in the stage Dracula, he brought off a piece of vocal and physical ballet: dodging...
...flesh-eating zombies? Monster movies reduce every conflict to black vs. white, good vs. evil--that's the point. But they're fantasies--they invoke the supernatural; they don't pretend that that's how it is in real life, the way John Wayne or Clint Eastwood movies do. You can't rehabilitate the alien or the zombies in Dawn-- you've got to blow them away. You don't have to blow away Vietnamese and have your audiences cheering it--unless, as in The Deer Hunter, you depict them as bloodthirsty aliens, which is a lie. (If anything...
...there is such a thing as a foolproof movie, Escape from Alcatraz must be it. Throw together Clint Eastwood, an airtight jailbreak plot, a first-rate storyteller like Director Don Siegel ... and what could possibly go wrong? As it happens, almost nothing. True, Escape from Alcatraz embraces virtually every cliché known to prison movies. Eastwood does not exactly break new ground as an actor either. Yet this film's familiarity ends by breeding affection rather than contempt. When an old-fashioned genre piece is executed with spirit, audiences can rediscover the simple, classic pleasures of moviegoing...