Word: classically
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Dates: during 2000-2000
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...professor recounts a classic tale of education-to-appreciation, involving the electricians who installed "Huru"'s spotlights. Originally frustrated by their laborious work over a "hunk of metal," the electricians, under Tucker's passionate tutelage, came to love the piece. "By the end of the night, one of the workers thought this was the coolest thing on campus," recalls Tucker. "He went into his truck to get his camera, and spent an entire roll of film on ['Huru']." Not surprisingly, the groundskeepers of UMass Boston have had some of the most profound exposure to the artwork and to Tucker...
Minor music trend two: Backstreet Boys revisionism. It's trendy for music critics to now claim that "I Want It That Way" is a classic pop song. I say you can't tell until at least two years after a song comes out. But for those of you who need opinions fast, our Backstreet Boys review is conveniently on page...
...Johnson and drummer Tim O'Reagan contributed lead vocals onstage. O'Reagan's version of Charlie Rich's "Life Has Its Little Ups and Downs" was an excellent, soulful showcase of the band's new vocal lineup. The band's instrument work was equally superb. Louris' harmonica brought a classic country sound to the driving rock sound characteristic of the live show. New addition Jen Gunderman provided a deft touch on the keyboards. Even Johnson slid over to show off on piano...
Rich's reading culminated with her sharing of two new works with the audience, coupled by an expletive prelude to her artistry. Modeled after the classic Italian form of tertza rhima (3-line triplets with elaborate end-rhymes), one of Rich's new works pays homage to Dante's Divine Comedy, which embodies this structure. Although it lacks end-rhymes, Rich's poem puts a twist on Dante's theme of the novice and the guide, ultimately celebrating what Rich terms "the death of history." She concludes that one's self is both novice and guide, as the poem...
...technique is a modernization of the classic optical illustration developed by Edgar Rubin in which viewers see either a vase or two faces depending on how they direct their attention. The viewers perceive one of the two patches as being in the foreground and the other as being in the background by choosing where to direct their attention...