Word: chord
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Dates: during 1970-1979
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...MARLEY continues to record albums like Survivors, he'll survive quite nicely, and with him, the Rastafarian ideology that gives him his direction. His popularity in places as diverse as Africa and North America proves he has struck a common chord that cuts across class and culture. It's impossible to know whether Marley's popularity in the United States is fed by appreciation or curiosity. The music, fortunately, can be enjoyed on either level...
...movie star. In The Rose, a highly fictionalized biography of a Janis Joplin-like rock icon, Midler can hardly be contained by a wide screen and six-track Dolby Stereo. She not only blasts out her many numbers with blistering fury, but she also attempts to strike every emotional chord known to junky movie melodrama. Even when she comes up flat, it is hard to look away. Midler does not make the mistake of begging for attention, like her cabaret colleague Liza Minnelli; she retains a sense of humor about herself. By mixing outrageous show-biz posturing with...
Falwell enjoys taking big risks, like starting up a new college from scratch in less than a year, as he did with Liberty Baptist College, begun in 1971. Now Falwell is betting that his views, values and chauvinist spirit will strike a plangent chord in the hearts of millions of conservative Protestants, many of whom have thus far been politically apathetic...
...four months of the New York Times, for example, Harvard was mentioned in connection with its graduates three times more than all other colleges combined. Essentially, the book is a 237-page collection of odd quotes, bizarre statistics, dull anecdotes, and drivel. The author strikes a particularly banal chord when he tries to add some organization to his endless list of alums. At one point, he tries to explain the difference between the proto-Harvard man--one whose ancestors also attended the school--and the neo-Harvard man. From there, he somehow gets around to talking about the fact that...
Beckett has touched a responsive chord in an age of self-indulgent pathos. Fate is stern; it demands a hero. Self-pity is soft; it only asks for a man to look in a mirror and recognize a victim. All the "pity poor little me" folk, all the partisans of the "life is a dirty trick" philosophy, which is pervasive in our society, have proclaimed Beckett a genius. He is not a genius, but his considerable gifts, which he has harvested with great integrity, happen to coincide with the scary, fretful temper of the times...