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Word: childhood (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...managed a perpetual wan smile, and by the time he left for home the hue and cry had died down, even if no one was happy that the Queen's representative in South Africa should be a Boer with a pronounced anti-British bias (based on childhood memories of being herded into a British prison camp with his mother), dedicated to making his country a republic and taking it out of the Commonwealth. The Labor Party's executive committee last week passed a resolution urging party members to boycott South African goods for a month in protest...

Author: /time Magazine | Title: GREAT BRITAIN: Welcome to London | 12/28/1959 | See Source »

...Piaf, 44, went on. And because she was Piaf, French newspapers followed her through every symptom. They had long since told the chronicle of her sorrows: the childhood blindness, the unhappy love affairs, the near-fatal auto accidents. They had recorded her illness in Paris in 1954, the collapse in Stockholm in 1958, last year's major surgery (for a gastric ulcer) in New York. Now the headline writers seemed engaged in a macabre watch. "Piaf suffers and refuses to capitulate," cried Paris-Journal. "Piaf falling like Moliere on the planks of the provincial coliseum*-that was worth...

Author: /time Magazine | Title: HEADLINERS: Love, Always Love | 12/28/1959 | See Source »

...little girl and the grown woman seemed to recognize each other at once. Like Anne's, Patty Duke's childhood belonged to the streets of New York. Her father (a taxi driver) and her mother (a checker at Schrafft's) were separated; before Patty got her first TV roles, the family teetered on the edge of poverty. In Miracle Worker, it was Anne to whom Patty looked for approval; it was Anne who became her particular pal. Soon, says Arthur Penn, "Patty and Anne were carrying on conversations in the manual alphabet behind our backs, cracking jokes...

Author: /time Magazine | Title: BROADWAY: Who Is Stanislavsky? | 12/21/1959 | See Source »

Director Truffaut, who also wrote the script with Marcel Moussy, tells a story that derives from his own childhood experiences in a reform school. His hero is a French schoolboy (Jean-Pierre Léaud), about twelve years old, who lives with his mother and father in a Paris tenement. Actually, the boy's father is just a man his mother married when she found herself pregnant-a nice, easygoing nobody who brings home a steady salary and doesn't ask too many questions. The mother herself is no better than she should be: a pretty, shallow blonde...

Author: /time Magazine | Title: Cinema: The New Pictures, Dec. 14, 1959 | 12/14/1959 | See Source »

...addition, negation may arise from past disappointments, as a conditioned reflex. When Christianity is offered as "a huge and rosy simplicity, gallant promises either crumple up in the hard clutch of need, or become mockingly simple symbols of childhood as they retreat before the dawning ambiguity in the moral intelligence." The Christian story, said Sittler, has "a tough, penetrating, hard purpose whose theatre is the dark dreads, tormenting anxieties, and constructive demands of life...

Author: By Craig K. Comstock, | Title: Sittler Terms Persistent Negation Part of 'Faith's Inmost Character' | 12/10/1959 | See Source »

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