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But as Professor of History Walter Johnson noted, interpretations of the historical character of the minutemen have frequently tended to be illusory.

Author: By Christian B. Flow, CONTRIBUTING WRITER | Title: Locals Revolt Against Use of ‘Minuteman’ | 10/26/2006 | See Source »

Lowry, who has been director of MoMA for 11 years, spoke about the increasingly “democratic” nature of contemporary art as evidenced by the rise in the quantity of artwork produced and the change in the character of public consumption.

Author: By Alexander B. Fabry, CRIMSON STAFF WRITER | Title: Lowry Talks Art In Emerson Hall | 10/26/2006 | See Source »

...stage with an incredible series of leaps and turns in Act I. Kathleen Breen Combes, the most delicate member of the Dryad trio in Act II, brilliantly executes a series of turns in her variation. Act II, in general, is the most traditional portion of the performance, characterized by long synchronized sequences with several rows of dancers. The corps commands less of the stage than in the first act, but nonetheless compels the audience with their astonishing synchronization. Of all characters, however, Joel Prouty as Sancho Panza and Mindaugas Bauzys as Don Quixote are the audience’s favorites...

Author: By Claire J. Saffitz, CONTRIBUTING WRITER | Title: 'Quixote' a Fluffy Romp | 10/26/2006 | See Source »

Peter C. Shields ’09 and Nick A. Noyer ’09 are co-directors and producers of Harvard’s first production of the famous Broadway play “A Chorus Line”—which will run from Oct. 27-Nov...

Author: NO WRITER ATTRIBUTED | Title: Spotlight: Peter C. Shields '09 and Nick A. Noyer '09 | 10/26/2006 | See Source »

A baby being thrown to the floor, at the feet of aghast relatives: this image of violence is repeated several times as a symbol of the failure of family life in “The Marriage of Bette and Boo.” As such a motif suggests, the first...

Author: By Mary A. Brazelton, CRIMSON STAFF WRITER | Title: Family Drama ‘Bette and Boo’ Hits Home | 10/23/2006 | See Source »

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