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Received with no special enthusiasm in Europe, cut by censors into incoherence in the U.S., Pandora's Box had to wait a generation to find its audience. But when recognition for the film, and even more so for Brooks, did come, it didn't stop. The Anna Karina character in...

Author: /time Magazine | Title: Lulu-Louise at 100 | 11/14/2006 | See Source »

Instead, his script, a spare, character-driven retelling of Mary and Joseph's trip to Bethlehem, was rushed into production by New Line Cinema and entrusted to an edgy director with a knack for youth culture, Thirteen's Catherine Hardwicke. Despite the challenges of reconciling Scripture with story, casting actors...

Author: /time Magazine | Title: Hooray For Holy-wood | 11/13/2006 | See Source »

For Hardwicke, this meant making the icons of the story as real as possible. "People don't think of the character of Mary or the character of Joseph," she says. Since no one knows how Mary explained her pregnancy to her parents or what she and Joseph said to each...

Author: /time Magazine | Title: Hooray For Holy-wood | 11/13/2006 | See Source »

Rich grappled with Scripture and script decisions. Should he stick with one Gospel? The Magi are only in Matthew, the shepherds only in Luke, but both Magi and shepherds appear in the film. Rich's first draft did not include The Magnificat, the verses Mary sings when her cousin Elizabeth...

Author: /time Magazine | Title: Hooray For Holy-wood | 11/13/2006 | See Source »

Nearly four decades and many rereadings later, I know better than to suppose that anyone fully penetrates Pynchon's intentions, not in V., not in his short masterpiece The Crying of Lot 49 and certainly not in his mammoth new book, Against the Day (Penguin Press; 1,085 pages). Of...

Author: /time Magazine | Title: Books: Pynchon vs. the Toaster | 11/12/2006 | See Source »

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