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Word: chanting (lookup in dictionary) (lookup stats)
Dates: during 1880-1889
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Usage:

...After a short service conducted by the Rev. F. G. Peabody, the organist introduced the Cantata with a magnificent rendering of the Hallelujah chorus from Beethoven's Mount of Olives. The recitative with which the cantata began was finely given by Richardson of the St. Paul's choir. The Chant of Young Men was especially good and in perfect harmony. The soprano voices of the boys in the Chant of Maidens and Children were also remarkably fine and sweet. The whole cantata was sung clearly and sweetly without at any time an instant's hesitation. The two choirs sang...

Author: NO WRITER ATTRIBUTED | Title: The Vesper Service. | 11/27/1889 | See Source »

Yesterday morning in Appleton Chapel, in addition to the usual psalm, the "Gloria in Excelsis" was sung to a new chant...

Author: NO WRITER ATTRIBUTED | Title: Fact and Rumor. | 10/9/1886 | See Source »

BOSTON MUSEUM.- Edwin Booth, Matinee. "Merchant of Venice," and Katharine and Petruchio." Eve., Mr. Booth as "Jago." chant of Venice," and "Katharine and Petruchio." Performance...

Author: NO WRITER ATTRIBUTED | Title: AMUSEMENTS. | 3/28/1885 | See Source »

...17th century, and lastly the rise of modern instrumental music. Harmony was unknown in the earliest music; scales and notation were introduced, but the first experiment of harmony was made in the 9th century. Not till several centuries after did counterpoint come into use; it arose from the Gregorian chant. The old Flemish school received an illustration by a gloomy chorus of Josquin de Pres, the contrapuntal church style by a selection from a mass by Palestrina. Next came the popular and secular music especially of the troubadours and minnesingers. Of the English school a very old melody was sung...

Author: NO WRITER ATTRIBUTED | Title: Prof. Paine's Historical Concerts. | 3/20/1885 | See Source »

...order to combine with the foregoing lesson in natural history a harmless drill in mathematics, and so give the book value as a compendium of musical forms, a chant is inserted, having for its words the pathetic trilogy of the 'three little kittens in a basket of saw-aw-dust.' This number doubtless suggested serious thoughts to the compiler, for he accompanies it with the touching refrain, 'I've lost my doggy,' and the more pretensions, 'A horrible tale,' in eight-line stanzas with a moral beginning con dolore and increasing in pathos till it becomes as much more doloroso...

Author: NO WRITER ATTRIBUTED | Title: NOTES AND COMMENTS. | 11/20/1883 | See Source »

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