Word: caste
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...movie, all of which Brooks created. "It's very important for the world to see The Producers in its glory, with MATTHEW [BRODERICK, left] and NATHAN [LANE, right]," who played Leo Bloom and Max Bialystock on Broadway, says the comic. But when it came time to cast escaped Nazi playwright Franz Liebkind in the new film, "I thought, Who's manic?" says Brooks. Enter WILL FERRELL, center. "There was something dangerous and mad in his eyes," Brooks explains. If it works, Ferrell may join the gang for Brooks' next version of The Producers. "What do you think we should...
...Hustle took in $20 million on the mainland and a record $8 million at home, and is on a pace for $100 million globally. It's tough to copy Chow's style, but his film may provide a blueprint for a changing industry. Shot in China with a cast and crew that was mostly from Hong Kong, and with Columbia Pictures on board as a co-producer, Kung Fu Hustle had the budget, the star and the story to cross borders. In a globalized film market, that's what it's going to take to be successful. "You have...
...ornaments?smug-looking antelope or reindeer, with heart-shaped leaves festooning their antlers. From 4th century Datong, in Shanxi province, comes a bronze cup decorated with vines and with the early-Christian motif of a boy carrying a lamb. The cup looks Roman, but is likely an expertly cast copy of an import...
...typical of the Sasanians who ruled the area that is now Iran, and whose designs the Chinese appropriated for everything from tableware to clothing. But it probably comes from Bactria, in modern-day Afghanistan. And the figures on its surface seem to be characters in the Trojan War. Whoever cast the ewer seems to have been more concerned with style than mythological substance. But General Li probably didn't care. The foreignness of the design alone gave the jug its allure...
Look only to the album art of the seminal troika of Modern Life is Rubbish, The Great Escape, and Parklife, the band’s finest hour: we see the yellow Blur logo, curvy and European-looking, cast onto three different images: on Rubbish, a vintage propaganda drawing of a speeding train, on Parklife, a close-up of a speeding racetrack greyhound, on Escape, two friends on a boat and the legs of one jutting out in a hyperrealized image...