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...What I've learned about directing is how to say the least amount you can say and find a way to communicate that to the actors. I only cast people that I trust. And then there is a mutual trust. Because it's not that I'm not composing shots, but without the actor I really don't have anything. All my work is about character. It's all about what goes on behind the eyes of an actor. If the actor feels hemmed in or emotionally stopped up because of what I'm doing, then I'm actually killing...

Author: /time Magazine | Title: The Odd Couple Gets Even | 3/27/2005 | See Source »

...cool thing about this digital scare-scape is how fidelity to Miller's vision liberated Rodriguez and the cast. Everyone has a great time playing it hard and fast. For all its astronomical body count, Sin City is brazenly, thrillingly alive. --By Richard Corliss

Author: /time Magazine | Title: Movies: Miller's Double Crossing | 3/27/2005 | See Source »

Willig daydreams about her ideal cast for a film Carnation, should one ever come around...

Author: By Simon W. Vozick-levinson, CRIMSON STAFF WRITER | Title: BOOK ENDS: Grad Student Grabs Readers With Bodice-Ripper | 3/23/2005 | See Source »

...meager amount of petroleum purported to be buried in the Artic National Wildlife Refuge (ANWR), Senate Republicans have not only mortgaged the future of a swath of unspoiled wilderness, they have cast their respect for America’s political process in doubt...

Author: By The Crimson Staff, CRIMSON STAFF WRITER | Title: The Call of the Oil | 3/22/2005 | See Source »

What Bartlett’s cast lacks in the way of scenery and props, they compensate with expressive stage movements that give the play the violent elegance of a bullfight. Even without taking a step, characters’ postures speak volumes: Aeneas (Colin Lane) looks every inch the shell-shocked military man, while Dido (Diane D’Aquila) transforms from self-possessed stateswoman to wounded animal...

Author: By Laura E. Kolbe, CRIMSON STAFF WRITER | Title: ARTSMONDAY: Taste of Ashes in 'Dido' | 3/21/2005 | See Source »

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