Word: cassandra
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Dates: during 1900-1909
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...Stadium by more than three thousand people. The weather conditions were perfect, so that the elaborate costuming of the cast and the brilliant stage setting appeared to the best advantage. The acting, likewise, showed noticeable improvement over that of Saturday's performance, particularly that of the Trojan princess, Cassandra, and the queen, Clytaemnestra. F. H. Birch 2L., in the long and difficult role of Leader of the Chorus, executed the part admirably...
...CRIMSON next Monday, but in general it may be said that the diction was clear and forcible without being strained, and the inflection flexible and natural. In gestures, too, extraordinary ease was shown. In both motions and expression, Wyndham-Gittens, in the difficult part of Clytaemnestra, and Brady, as Cassandra, showed extraordinary power...
...come on the stage, chanting as they march. They remain on the stage throughout the play, and in their choral odes express the popular feeling of the men of Argos in regard to the events portrayed there. Agamemnon soon returns from Troy, bringing in his train the Trojan captive, Cassandra, of whom Clytaemnestra is jealous. Despite the king's request to have the prisoner treated gently, the queen orders her roughly into the palace. Cassandra foresees her tragic fate, but is unable to persuade the men of Argos that she is being lured to death. In despair, she enters...
...cast, which is made up exclusively of students in the University, is as follows, the principal actors being arranged in the order of their appearance on the stage: Watchman, M. C. Clapp '07 Clytaemnestra, H. S. Wyndham-Gittens '06 Herald, D. Gardiner '07 Agamemnon, P. H. Noyes '06 Cassandra, A. S. A. Brady '08 Aegisthus, A. L. Benshimol '07 Leader of Chorus, F. H. Birch...
...chariots and the horses which will be used in the performance, were received on Saturday. There are two chariots, one for Agamemnon and one for Cassandra. They were made especially for this play after suggestions by Professor C. B. Gulick '90 and Dr. G. H. Chase '96, who used for models the chariots on the Parthenon frieze. Both are built on the same design save that one is bronze-colored, and the other is colored a robin's-egg blue. They are decorated with palmette designs in gold...