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...artist (Alvin Epstein) frustrated in his attempts to create art. The plays follow his efforts to control and combine the production of words and music. Actor Mickey Solis portrays the former as Joe in “Words and Music” and Voice in “Cascando.” An ensemble of pianist Donald Berman, percussionist Robert Schulz, and violinist Gil Morgenstern personifies music as Bob in “Words and Music” and Music in “Cascando...

Author: By Juli Min, CRIMSON STAFF WRITER | Title: ‘Beckett at 100’ Still Going Strong | 11/18/2007 | See Source »

...theater who knew Beckett personally, directed the plays, and Martin Pearlman, founder and conductor of the Boston Baroque, composed the music. All of Beckett’s plays—including the three on stage last night, “Words and Music,” “Cascando,” and “...but the clouds...”—are “one person, one consciousness,” Scanlan said in his opening remarks. The first play, “Words and Music,” displayed the frustrations...

Author: By Bonnie J. Kavoussi, CONTRIBUTING WRITER | Title: Little-Known Beckett Works Exhibited | 11/16/2007 | See Source »

...CASCANDO THEATRE COMPANY

Author: NO WRITER ATTRIBUTED | Title: Arts First | 5/7/2004 | See Source »

...with the U.S. premiere of five plays written for the medium by Samuel Beckett. Billie Whitelaw and David Warrilow star in the opener, All That Fall, about an aging woman meeting her blind husband at a railroad station. Following it, on successive Sunday nights: Embers, Words and Music, Cascando and Rough for Radio...

Author: /time Magazine | Title: Critics' Choice: Apr. 3, 1989 | 4/3/1989 | See Source »

...Caravan has a great deal of difficulty with "Cascando." Beckett wrote it as a radio play; the Caravan stages the play with a whole new and confusing subplot, centering around the themes of freedom and release. The three parts of the mind, rather than complementing each other, with this addition instead become opponents in attempts to get across a masking tape line on the stage. When someone does succeed, a yellow light flashes on. This pattern of conflict, coupled with a great deal of unnecessary gesture, buries Beckett's originally spare, vicious play in a mass of directorial obfuscation. David...

Author: By Kenneth G. Bartels, | Title: Hands Off! | 5/31/1972 | See Source »

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