Word: cariou
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Dates: during 1960-1969
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...Cariou is first-rate as the sisters' brother Andrey, who loses control of the household to his adulterous wife. He gives up his dream of becoming a famous university professor, and contents himself with being secretary to his wife's lover on the local county agriculture committee--a post so petty that he has to bolster his pride by berating a subordinate for not addressing him a "Your Honor," and--like Abe Fortas--seek solace in going off by himself to play the violin. Cariou makes him genuine, well-meaning, and pathetic; and I'd swear he really puts...
AMERICAN SHAKESPEARE FESTIVAL, Stratford, Conn, (through Sept. 14). The comedy Much Ado About Nothing is directed by London's Peter Gill in his American debut; Henry V has Len Cariou in the title role; while Hamlet is a stunning full-length version with Brian Bedford as the prince, Maria Tucci as Ophelia and Morris Carnovsky as Polonius. For variety, Chekhov makes a premier appearance at this festival in a supple staging of The Three Sisters...
...love than with Hero, Robert Foxworth is more light-footed and sympathetic than the ninny he plays deserves. As Hero, whom he unjustifiably denounces at the altar, Roberta Maxwell improves as the show proceeds--though Shakespeare has kept her silent many times when she ought to be vocal. Len Cariou's honest Pedro, Wyman Pendleton's pipe-smoking Antonio, June Prud'-homme's loudmouthed Ursula, Mary Doyle's saucy Margaret, Tony Van Bridge's apoplectic Dogberry, James Greene's perceptive Friar, and most of the lesser parts are in highly capable hands. Of the latter, William Hickey's Second Watch...
Understandably, Cariou is not a match for Sri Laurence Olivier, whose Henry V is the one Shakespearean role in which he is indisputably supreme. Carious does not quite have all the voice needed for the "Once more unto the breach" harangue, as magnificent a military pep-talk as anyone has ever trumpeted forth. What is curious is that the British soldiers vigorously hurl balls at the toy cardboard-and-paper castle and have to interrupt the attack to listen to Henry's oratory. Kahn's direction here undercuts the need for any spur to action...
...Cariou is absolutely first-rate, though, in the long and difficult introspective soliloquy on "ceremony," and in the ensuing prayer ("O God of battles, steel my soldiers' hearts"). And his blunt wooing of the French princess in the final scene is wholly admirable. At the performance I attended, Carious was clearly off form in the noble "Saint Crispian" speech (scene caption, if you can believe it: "The Machine Creates the Believable Lie; Point of No Return"). In the line "We few, we happy few, we band of brothers," he even left out the middle phrase, which is probably the most...