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Word: capulets (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...scene in this production succeeds quite well, and also points up the disaster in the rest. When the Capulets discover Juliet apparently dead in her chamber, they explode in a satirical outpouring off grief that Shakespeare wrote to mock the traditional, over-formal conventions of Elizabethan tragedy. Mother and Father Capulet vie in the extravagance of their laments; lines like "life and these lips have long been separated" signal to the audience that this is farce, not tragedy. The cast at the Hasty Pudding conveys the full comedy of this scene. Unfortunately, the comic atmosphere lingers like an unwanted guest...

Author: By Scott A. Rosenberg, | Title: Wherefore Art? | 4/25/1979 | See Source »

...about the world's most famous tragic love story, except that this interpretation has a great deal of "fast and furious" action, according to one cast member, and that director Valerie Lester is aiming for highly emotional heights. The production will be a fairly straightforward one--in other words, Capulet will be an Italian nobleman and not a fascist dictator; one girl, not three, will play Juliet; and Romeo will stab Tybalt with a sword, not a sausage...

Author: By Troy Segal, | Title: King Arthur in the Union | 4/19/1979 | See Source »

...Juliet's mother--who, it should be remembered, is herself only 28 years old--Carole Shelley is not yet entirely at ease in her lines; but she looks fine in her red-and-black gown, and her straight back speaks a thousand words. Juliet's father, Lord Capulet, is a man in his sixties. William Larsen, sporting a white beard, makes this well-meaning crank fully human; he does admirably with the blustering scene in which he sputters torrents of monosyllables at his headstrong daughter...

Author: By Caldwell Titcomb, | Title: Juliet Not Good Enough for Her Romeo | 7/5/1974 | See Source »

...alone in psychologically violating the play. There should be a good deal of Juliet in Desdemona. After all, she is a virginal young girl swept into sensual love with the Moor, who is anathema to her father in much the same way that a Montague was to a Capulet. But Roberta Maxwell conjures up a prim housewife somewhat baffled by a hubby with a bad case of the sulks. Sne achieves an affecting poignance only in her deathbed speech. As for lago, he should be Lucifer's child trailing a brimstone stench of evil, but Lee Richardson makes Othello...

Author: /time Magazine | Title: Theater: Passion's Fool | 6/29/1970 | See Source »

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