Word: caplets
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Dates: during 1985-1985
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Debussy: The Fall of the House of Usher; Andre Caplet: Conte Fantastique (for harp and strings); Florent Schmitt: Etude pour "Le Palais Hante." (Georges Pretre conducting the Monte-Carlo Philharmonic Orchestra; Angel.) Thanks to the translations of Baudelaire and Mallarme, the works of Edgar Allan Poe became popular in France during the late 19th century. Inevitably, they cast their spell on the imaginations of the country's leading composers; Debussy, for example, long considered writing a pair of one-act operas based on Poe's fantasies. He made a start on The Fall of the House of Usher, preparing...
...other two works on the album also evoke Poe's haunted world. Conte Fantastique, a piquant harp concerto by Debussy's acolyte Andre Caplet, is based on the short story The Masque of the Red Death, and Schmitt's orchestral tone poem draws its inspiration from the poem "The Haunted Palace." Pretre gives each work a suitably atmospheric reading, emphasizing Debussy's gloom, Caplet's lightness and Schmitt's vigor...