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Word: candidate (lookup in dictionary) (lookup stats)
Dates: during 1960-1960
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Usage:

...documentary, first of a prospective series of six to be produced by TIME INC. and ABC-TV, is the work of Producer Robert Drew, 36. a former jet pilot and LIFE correspondent. His technique of candid-camera closeups and of eliminating an on-screen commentator is not new, but he uses it more deliberately and effectively than any TV show has before. Drew employs two-man crews (one man handles camera, one sound, and both also act as reporters and editors) instead of the usual unwieldy task force. Says Drew: "We would not move in with our lights and cameras...

Author: /time Magazine | Title: TELEVISION: Two Men & a Camera | 12/19/1960 | See Source »

Close-Up (ABC, 10-11 p.m.). Yanki, No! focuses on Latin America's struggle with Communism, as seen by Robert Drew's candid-camera technique...

Author: /time Magazine | Title: CINEMA: Time Listings, Dec. 12, 1960 | 12/12/1960 | See Source »

...will be a "candid, rather private affair," consisting primarily of round-table discussions, according to Thomas C. Schelling, professor of Economics and a member of the University's delegation. While talk will center around the problems of disarmament, no specific agenda will be decided until the conferees reach Moscow, he said...

Author: By Clark Woodroe, | Title: Four Professors Go to Parley In U.S.S.R. | 11/23/1960 | See Source »

...gossip columns began to pant with rumors of a Monroe affair with Co-Star Yves Montand. Purring that he was "amazed and flattered," and full of assurance that he would never toss his eleven-year marriage to Actress Simone Signoret "overboard for one performance," Montand did make one Gallically candid revelation: "Marilyn is a simple girl, without any guile," he said. "I once thought she was sophisticated, like some of the other ladies I have known. Had Marilyn been sophisticated, none of this ever would have happened...

Author: /time Magazine | Title: HOLLYWOOD: Popsie & Poopsie | 11/21/1960 | See Source »

...story of Weddings is less important than the way it is told. Director Engel has attempted a sort of "candid cinema,' in which the principles of art are continuously (and sometimes unfortunately) subordinated to the flow of life. He often throws away his working script' encourages his actors to improvise. Then he moves around them with a portable camera and tracks the action as it develops, catching this, missing that, taking his chances and riding his luck...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 14, 1960 | 11/14/1960 | See Source »

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