Word: candelabras
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Dates: during 1980-1989
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...These operas do not require powdered wigs and candelabra to make their political points," says Sellars. True enough, but if Sellars had really wanted to modernize Mozart's opera, his hero should have been a Wall Street arbitrager, or perhaps a rock star. For that matter, he should sing in English, but Sellars characteristically prefers that Da Ponte's witty text remain obscure, that "the audience ((be)) forced to take in information through other pores...
...Phantom, described as a scholar, seems more a necromancer, dematerializing, teleporting, even dodging bullets. He defies the laws of gravity and physics: his kingdom in the bowels of the Paris Opera House is reached by rowing across a subterranean lake through which candelabra rise and descend, mysteriously unquenched. The lagoon seems to be at or above the level of his hideaway, yet his chambers remain unflooded. Allow oneself a moment's skepticism and the story turns to piffle. But audiences give themselves over to the fantasy concocted by Prince and Designer Maria Bjornson, letting logic evanesce as long...
...life is dressed in some variation of off-white -- and looks cool, stylish and slightly soiled. Two ornate sofas are shrouded with crumpled, much used sheets: this is a world of ceaseless, unsatisfying copulation. Although the sides of the stage are heaped with the bric-a-brac of elegance -- candelabra, statuary, flowers -- the characters seem more at home with simple louvered screens, behind which they peep and eavesdrop. The dialogue is fittingly brittle and epigrammatic. "When it comes to marriage," a much traveled woman says, "one man is as good as the next; and even the least accommodating is less...
...persona and performance that had earned him his early notoriety. The costumes were soon fit for a king -- King Frederick of Hollywood -- with their exotic plumes and freighted trains. He wore diamonds as big as the Ritz; his hair was not so much teased as taunted; his candelabra were large enough to light the Library of Congress reading room. The patter between numbers became bolder, dropping innuendos like anvils...
...midst of all the mechanics there are 2 1/2 performances that achieve some emotional depth. Michael Crawford commands the stage as the Phantom, bringing complete conviction to such fantasies as a midair descent on a chariot of gilded cherubs and a boating trip on a subterranean lake dotted with candelabra. As his alternately terrified and thrilled disciple, Sarah Brightman is more singer than actress but still manages to suggest a neurasthenic obsession with the Phantom. The half performance comes from erstwhile Ballet Dancer Steve Barton, who looks good and sings well as Christine's real-world lover but is unable...