Word: cameraman
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Dates: during 1950-1959
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Meanwhile, Geoffrey M. Kalmus '56, president of the undergraduate station, again accused Johnston of trying to obstruct his organizations's broadcast. Kalmus asserted that the television cameraman was merely the latest of Johnston's "excuses" to avoid letting WHRB use the booth...
...full-length True-Life Adventures, does not sing a song of biology as stirringly as The Living Desert, but it is still one of the best movies ever made about Africa. With able use of the telephoto lens, along with plenty of patient scrounging around in the underbrush, Cameraman Alfred Milotte and his wife Elma have managed to sit the moviegoer a little nearer front and center than he has ever sat before at the greatest wild animal show on earth. The best bits...
...this point CBS Cameraman Arthur Bonner signalled the Portuguese to cease firing and walked slowly towards the customs house, his arms over his head. Bonner, in tears, brought the wounded woman back to the Indian side of the border and then, with U.P. Correspondent John Hlavacek, went out for the two men who had rushed after the woman. Indian onlookers began shouting "Please withdraw, satyagrahis, please withdraw." The satyagrahis crawled backward inch by inch until they reached Indian soil...
Nikolai Nikolayevich Sukhanov was the first candid cameraman of the Russian Revolution: in seven volumes, he chronicled its events with movie vividness. As an original member of the Executive Committee of the first Soviet, he also co-directed the early scenes. Sukhanov was an economist, the editor (under Maxim Gorky) of the radical newspaper New Life, and a maverick Marxist. Although he himself knew almost everyone who made the revolution, he is today virtually forgotten except among professional historians. His seven-volume work was first published in 1922, but it has just now been pruned to a single volume...
...standards. Filmed in color (with English narration) under the auspices of France's Ministry of Defense, Heartbreak tells the story of the famed French battalion in Korea. The soldiers of the battalion are the cast, the actual 1952 battleground is the setting. The director and a cameraman were wounded by Communist fire while filming it. Not since John Huston's San Pietro (1945) has a film shown in the U.S. come so close to capturing the painful reality of foxhole...