Word: cabaret
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It’s hard not to like a show as tawdry and touching as “Cabaret.” After all, where else can you get scantily-clad men and women, lascivious dancing, and Fascism all rolled up into about two hours, save for perhaps at some oddly-themed strip club...
...Cabaret,” co-directed by Patrick H. Quinn ’10 and Juan D. Camero ’10 and produced by Julia K. Lindpaintner ’09, is set during the rise of Fascism in pre-World War II Germany...
...cast was fairly strong, and all the singing was up to par. Katie Mulholland gave a stellar performance in the lead role of Sally Bowles. Her voice was consistently impressive, and really shined in the songs “Maybe This Time” and “Cabaret.” Amy M. Zelcer ’07 also showed off her musical talents in the supporting role of Fräulein Kost, particularly in the reprise of “Tomorrow Belongs...
Bobby (Nicholas A. Noyer ’09), a male dancer at the cabaret and part-time thug working for Ludwig, was perhaps my favorite character. Noyer made this role his own, and deserves high praise for the result. Although he was no small man, Noyer pranced about the stage like a graceful fawn, and was the highlight of the song “Two Ladies”—and just about every other scene...
Although their jovial personalities might make it seem so, life’s not all a cabaret for busy freshmen Patrick H. Quinn ’10 and Juan D. Camero ’10. Director Quinn and assistant director Camero have worked relentlessly on the Harvard-Radcliffe Dramatic Club’s production of “Cabaret,” which goes up this week in the Loeb Ex. Both share a strong vision for the musical, which they decided to direct themselves after seeing another group’s take on Kander and Ebb?...