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...choreographed 11 dances in his years at Harvard, served as the co-director of the Harvard-Radcliffe Modern Dance Company (HRMDC) this past year, and taught dance at the Cambridge Rindge and Latin School—all this among other activities, such as directing “Cabaret?? his freshman year and helping to tech various productions. Although the Computer Science concentrator plans to work at Microsoft after graduation, Quinn will attend classes at the Pacific Northwest Ballet School, eventually using his savings to start his own dance company...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Patrick Quinn ’10 | 4/27/2010 | See Source »

...Cabaret?? made famous by Liza Minnelli

Author: By Luis Urbina | Title: Recap: "The Rhodes Not Taken" | 10/2/2009 | See Source »

...HRDC’s production of “Cabaret?? had the potential to be great, but it never quite got off the ground. There were moments, such as at the end of the first act, when it seemed like it would—but that potential dissipated as the show wore on. And wear on it did, causing some of the audience to skip the second act altogether. Despite the many merits of the show and its actors, after the emotion abated from the touching last scene, I was left with nothing but the empty feeling...

Author: By Joshua J. Kearney, CRIMSON STAFF WRITER | Title: ARTSMONDAY: ‘Cabaret’ Turns in Mediocre Showing | 4/22/2007 | See Source »

...started putting in comments. By the end he came up with all these different analyses of the main character, Sally. The vision Quinn and Camero crafted departs from both prominent previous versions of the show. Quinn: We’re taking a really interesting look at “Cabaret?? because there are two extremes of what’s usually done. It’s usually done as the traditional, flashy, glitter and sequins version with lots of dance numbers. That’s the 1966 version. The Broadway revival of 1998 is completely dark. From...

Author: By Lee ann W. Custer, CONTRIBUTING WRITER | Title: SPOTLIGHT: Patrick H. Quinn ’10 & Juan D. Camero ‘10 | 4/20/2007 | See Source »

...Barbara’s Song,” to Mrs. Peachum and her “Song of Sexual Dependency,” is a master of this music—which can be best described as “Cabaret?? for more sophisticated listeners. The two classic songs from the opera, “The Ballad of Mack the Knife” and “Pirate Jenny,” are so well-performed and well-sung that I doubt I’ll ever be able to separate the memory of the former from...

Author: By J. samuel Abbott, CRIMSON STAFF WRITER | Title: Modern Opera Seems Distant | 3/13/2006 | See Source »

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