Word: burstyn
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Dates: during 1950-1950
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Ways of Love [Joseph Burstyn] applies the packaging technique of Quartet to a trio of short fiction films made separately at different times by three of Europe's top directors. Each story illustrates a different meaning of love: the kind that stirs the mating urge, the peasant's love of his land, the heights of religious passion. Each also serves to illustrate, with varying success, the characteristic styles of Italy's Roberto (Open City) Rossellini and France's Jean (Grand Illusion) Renoir and Marcel (The Baker's Wife) Pagnol. None of the films could conceivably...
...Milan, Director Vittorio De Sica was "astounded." To Joseph Burstyn, the film's U.S. distributor, he cabled: "Picture circulates successfully whole world including England without ever meeting similar demands. As to girls' house scene, critics everywhere have stressed the delicate way same is conducted ... As to [the boy's] wall scene, once more its spirit and execution have been judged everywhere simply candid. May I recall that noble religious town of Brussels, Belgium, emblem is boy in said circumstances whose statue stands in one of its squares." Taking up the argument, Burstyn charged "a subtle form...
...America, was waging a legal fight against movie censorship by states and cities. Yet The Bicycle Thief already had passed muster with the official censors of New York, Pennsylvania and Ohio.* Was the M.P.A.A. trying to be more censorious than the very censorship boards it was opposing? Distributor Burstyn planned an appeal to the M.P.A.A.'s directors and beyond them to the U.S. public...