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That bizarre sequence opens Tonight We Improvise, a play by Luigi Pirandello, adapted and directed by Robert Brustein for his American Repertory Theater in Cambridge, Mass. Brustein also plays the impresario advocating auteurism; the cameraman is Frederick Wiseman, renowned for such PBS cinema verite documentaries as Canal Zone and Meat. Their monologues, just serious enough to be plausible -- Brustein actually does believe that directors have as creative a role as writers -- eventually become self-mockingly funny. But the jokes seem to go over the heads of much of the audience; instead of laughing, many spectators stare deadpan as if trying...

Author: /time Magazine | Title: Theater: Disorientation As An Art Form | 1/12/1987 | See Source »

...Critics affect our theater [the non-profit A.R.T.] hardly at all," said Brustein. "We don't really need critics here the way the New York commercial theater needs critics, to tell people...

Author: By Cyrus M. Sanai, | Title: Drama Critics Critiqued; More 'Advocacy' Needed | 11/12/1986 | See Source »

...have to recognize that drama criticism has to be dealing with a changing theater, and that drama criticism is falling behind," said New Republic Drama Critic Robert S. Brustein, professor of English and artistic director of the American Repertory Theatre (A.R.T...

Author: By Cyrus M. Sanai, | Title: Drama Critics Critiqued; More 'Advocacy' Needed | 11/12/1986 | See Source »

...Drama criticism is equipped to deal with a commercial theater that is dropping dead before our eyes," Brustein said...

Author: By Cyrus M. Sanai, | Title: Drama Critics Critiqued; More 'Advocacy' Needed | 11/12/1986 | See Source »

Critics "are not looked upon with great favor because we're not accountable to anyone," said Brustein...

Author: By Cyrus M. Sanai, | Title: Drama Critics Critiqued; More 'Advocacy' Needed | 11/12/1986 | See Source »

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