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...Ever since that time he has pictured himself as a "nuisance dedicated to sanity." His definition of sanity embraces a good many statesmen and policies: Benito Mussolini, Adolf Hitler, armament races, Nonintervention, and Prime Minister Neville (Chamberlain's political "realism." Some of the personages scared by his corrosive brush have had good reason to regret that young David did not become a bishop as his mother wished, instead of becoming the world's deadliest political cartoonist...
...news. After breakfast he walks to his roomy, book-lined studio where with much pacing and squirming and pipe-smoking, he struggles to express a complex idea in a few vivid lines and a brief, usually wry, caption. The final drawing is done rapidly with a fine brush...
Good Girls Go to Paris (Columbia), before the Hays office gave it a brush-off, had a Too in its title. As it stands, Paris is just a naughty notion in the head of a waitress named Jenny Swanson (Joan Blondell), who has big gold-digging ideas but not the true killer instinct. Jenny ends up as a sort of middle-aged Shirley Temple, patching up a flock of romantic tatters, curing rich old Olaf Brand's gouty hypochondria with extra blankets and aquavit, reminding him: "Swedes need to sweat." Nearest Jenny ever gets to Paris high life...
...painting were done by a brush alone instead of the individual holding that brush, Winslow Homer's watercolors, now on exhibit in Fogg Museum, would justly deserve to be called great art. In fact, if his paintings were the only ones being shown; if there were no means of making a comparative judgment, it is possible that a person could be fooled into believing that Homer, the old American stand-by, was equal to his popular reputation. There are a few works by other painters in this collection of watercolors, however, and it is upon the shoulders of Marin...
...more than adequate, however. In it we can follow sketchily the general development of watercolor painting in our country, see work by Marin and Hopper, perhaps the two most outstanding contemporary artists in America, and also see that true art involves something more than the skillful manipulation of a brush. The collection serves as a fitting close to an unusually fertile season for the museum which has presented during the past year exhibits of etchings, watercolors, and oils taken from almost every important period in the history of art. it is to be regretted that more students do not take...