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...simply a matter of keeping up with the Joneses. It is a question of help ing to keep the little Fuller Brush man out of the Joneses' kitchen for fear that he will soon get into everyone's front parlor...

Author: /time Magazine | Title: THE INDIES: Cradle Into Backyard | 11/27/1939 | See Source »

...should, however, brush up on what has been happening throughout the long years of his absence before bursting forth with any such smug, sectionalistic, and effete example of ignorance as his "minor league," "hillbilly," and "subsidized players" effort in TIME, Oct. 30. True, circumstances have forced him to dig up a few bouquets to toss at this year's team and "the Major," but his apparent reluctance to do so and his "scoop" discovery of Tennessee as a major league team have forced this constant reader of TIME to take up his pen and write his first letter...

Author: /time Magazine | Title: Letters, Nov. 20, 1939 | 11/20/1939 | See Source »

...Impressionists, the term itself is primarily indicative of a method rather than a time in the history of painting. An Impressionistic painting is simply one in which bright, practically unfused colors are placed on the canvas in such a manner that the eye of the onlooker, rather than the brush of the artist, mixes the tones and gives them coherence. Perhaps an example would serve to illustrate my point: a barber pole contains stripes of solid, unmixed color; this is the palette. When the pole begins to turn, these colors are fused and mingled for your eye, not by your...

Author: By Jack Wilner, | Title: Collections & Critiques | 11/20/1939 | See Source »

Aaron Bohrod is a shy, blond, hardworking Chicagoan. Whether he will rank as a major U. S. artist 20 years from now is anybody's guess. Undoubtedly his brush points in that direction. At 31, he has won two Guggenheim fellowships and eight art prizes. Thanks to the latest, a $200 honorable mention at the Carnegie International (TIME, Oct. 30), he went by day coach to Manhattan last week, saw a one-man show of his open at the Associated American Artists' Galleries...

Author: /time Magazine | Title: Art: Optimistic Realist | 11/6/1939 | See Source »

Very much the family man, Artist Bohrod just after his son's birth painted a store sign, "Bohrod & Son. Est. 1934," into a picture. Curly-headed Son Mark is now saving pennies to buy his father a paint brush for his birthday. A highlight of the current show is Still Life with Ferdinand, the toys Mark chose when Aaron asked him what he would like in a picture. Friends have interpreted it as an allegory of the Spanish civil war: the straw general on horseback towering over the pacifist bull Ferdinand, war's destruction symbolized by the torn...

Author: /time Magazine | Title: Art: Optimistic Realist | 11/6/1939 | See Source »

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