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...Democratic candidate's first brush with the magic touch was provided by chunky John R. McFaden, a pressagent hired by the California Democratic Central Committee. Moved by the dramatic possibilities in Stevenson's scheduled visit to his birthplace on Los Angeles' Monmouth Avenue, McFaden wrote out a script for the occasion. The pressagent was particularly inspired by a vision of Stevenson marching up the walk to his childhood home. "This," read the script, "should be done with reasonable reverence in such a manner as to give cameramen a dramatic shot of a historical figure returning...

Author: /time Magazine | Title: National Affairs: The Hollywood Touch | 9/22/1952 | See Source »

...Seven months ago, former Newsman Tom Mechling, 31, and his pretty brunette wife Margaret set out on a campaign tour that outdid the Fuller Brush man. Taking turns at the wheel of an auto trailer, they toured Nevada 18 hours a day, seven days a week, ringing doorbells and chatting with registered voters-Mechling estimated a total of 60,000 of them. Last week, at trip's end, Tom Mechling won Nevada's Democratic nomination for Senator in one of the year's most startling political upsets. His defeated opponent: popular, former State Attorney General Alan Bible...

Author: /time Magazine | Title: POLITICAL NOTES: Upset in Nevada | 9/15/1952 | See Source »

...alliance hopes to do business, too. Their paintings, priced from $12 to $3,000, will be on sale for six months. But, sales or no sales, the alliance is now well out of its old, ivory-tower doldrums and ready to paint anything at the dip of a brush, so long as it shows Pennsylvania at work...

Author: /time Magazine | Title: Art: Pennsylvania at Work | 9/15/1952 | See Source »

...Finest: the late Hans van Meegeren, who forged seven "Vermeers" so expertly that world-famous authorities certified them genuine (TIME, Nov. 24, 1947). Van Meegeren earned $2,800,000 with his old-masterly brush...

Author: /time Magazine | Title: Art: True or False? | 9/1/1952 | See Source »

Broadway felt much the same way about her abilities. Critic Dorothy Parker helped brush Kate off the stage with the withering comment: "She ran the gamut of emotions from A to B.'' Producer Joseph Verner Reed thought she might be better at high hurdles than at acting. Playwright Benn Levy said flatly: "She looks a fright, her manner is objectionable, and she has no talent...

Author: /time Magazine | Title: Cinema: The Hepburn Story | 9/1/1952 | See Source »

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