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Noguchi and Asawa share one quality of Oriental art that Western artists often lack: economy of means. Their Japanese ancestors devoted vast efforts to making a single brush stroke look easy. By confining themselves to simple shapes made of patted mud and woven wire respectively, Noguchi and Asawa also achieved a pleasing quality of ease and oneness with their work. Judged by one standard test of art, i.e., the proportion of visible effort to effect, their sculptures stand high...

Author: /time Magazine | Title: Art: Eastern Yeast | 1/10/1955 | See Source »

...cultivated music-teacher's family near Bern, Switzerland, Klee thought of making music his profession. He chose painting instead, simply "because it seemed to be lagging behind," and undertook rigorous formal training. Klee's chief means of advancing art was to let his unconscious whisper through his brush. At four, he would rush to his mother for protection from the "evil spirits" that appeared on his drawing paper. With age, he came to feel at home in his dream world of huge, dim forces, and was able to say, with none of the smugness of the dispassionate, that...

Author: /time Magazine | Title: Art: Klee's Ways | 12/27/1954 | See Source »

John W. Sears '52, a first year Law School Student, and Stephen G. Brush '55, of Orone, Maine, and Leverett House, have been awarded Rhodes Scholarships to the University of Oxford, it was learned yesterday...

Author: NO WRITER ATTRIBUTED | Title: Sears 1L, Brush '55 Are Rhodes Scholars | 12/14/1954 | See Source »

...Brush, a physics concentrator, is treasurer of the Harvard Psychological Society...

Author: NO WRITER ATTRIBUTED | Title: Sears 1L, Brush '55 Are Rhodes Scholars | 12/14/1954 | See Source »

...selection of Sears and Brush raises Harvard's total of Rhodes Scholars this years to four. Other scholarship winners announced earlier are John S. Davison '55, and Richard H. Ullman...

Author: NO WRITER ATTRIBUTED | Title: Sears 1L, Brush '55 Are Rhodes Scholars | 12/14/1954 | See Source »

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