Word: broadway
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...neck to my shoulder and arm. I screamed in agony and in anger. If the driver had looked in his rearview mirror before he opened the door, he would have seen my front light (it was 5:15 p.m., already dark) approaching him along with the traffic on Broadway. If he had looked, I might be able to lift my left arm over my head, my left eye wouldn’t give me the look of a drug addict, and I would be spending my time writing my thesis, not going to more medical testing, more doctors?...
...production into the Loeb Ex and stay within its budget, producer Kevin E. Meyers ’02 and director Kenneth P. Herrera ’03 needed to dramatically alter the magnitude of the production. As Meyers explains, “The original production of Tommy on Broadway was a mega-million dollar spectacle. We realized we’d have to significantly scale it down from its original Broadway incarnation, and it couldn’t be a half-hearted imitation of the Broadway production...
...easy smile and affable manner, Kevin Meyers comes off as a pretty nice guy. He is also an all-around theater impresario, participating in everything from playwriting and performing in the Hasty Pudding Theatricals to producing “Tommy” in the Ex and working on the Broadway musical “Seussical...
...Sun’s metro beat and she makes it her mission to know Baltimore like she has lived there all her life. Vicky “Talent” Hallett always knew that she would stay on the East Coast and Baltimore proved perfect with its off-Broadway plays, harbor, and close proximity to family and ex-Crimson friends in the nation’s capital. Tired of reporting on Harvard’s snobbish set, Vicky chose the metro beat because she feels the pulse of everyday life and demands its story—the hardhats...
This hokey 1958 Broadway hit has justly languished in dinner theaters ever since. Now, in a radical revision at Los Angeles' Mark Taper Forum, playwright David Henry Hwang treats the original like "some kind of weird Oriental minstrel show," as one character puts it, and wraps its assimilationist anthems into a merry multicultural trip from Tiananmen Square to San Francisco's Chinatown. Director-choreographer Robert Longbottom adds a dollop of kitsch--and somehow the mix is funny and clever. It even jerks a tear or two. Broadway, get ready...