Word: boudoir
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Dates: during 1930-1939
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...tells of a washroom attendant who wins $75,000 in a sweepstakes and tries to marry a nightclub singer. He drinks a Mickey Finn intended for his rival, and dreams that he is Louis XV and the singer Du Barry. This permits an unsurpassably false picture of court and boudoir high jinks at Versailles which, had they been true, would have considerably speeded up the Revolution...
...House Contain Us (Liveright, $2), a Rumanian prize novel adapted by one Oscar Leonard, is a slick if not sleazy combination of boudoir romance and political satire, might have been influenced by Molnar, Schnitzler, any one of a thousand under-the-pillow French novels...
...complicated by Groucho's efforts to extract $10,000 from Mrs. Dukesbury (Margaret Dumont, stately stooge of the Marxes), a Newport dowager. Groucho, who has never seen Mrs. Dukes-bury before, barges into her boudoir, woos her with this Marxian dialectric: "Those June nights on the Riviera . . . and that night I drank champagne from your slipper -two quarts." The big scene is the party for the 400. "Judge Chanock," says Mrs. Dukesbury graciously, "will sit on my left hand, you (to Groucho) will sit on my right hand." "How will you eat," cracks Groucho, "through a tube...
William Lamb naturally fell easy victim to the wholly different boudoir atmosphere of Devonshire House, whose tyrant was slight, agile, wide-eyed, willful, 17-year-old Caroline Ponsonby. Her lisping voice cooed out words in "the Devonshire House drawl." Said a rival: "Lady Caroline baas like a little sheep." Caroline liked to gallop bareback, to dress in trousers. Sometimes she would scream and tear her clothes, kick the floor with her heels. But she was vivid, fitful, daring and held even outraged relatives spellbound...
...better world, the Muse turned from goddess to angel-like Dante's Beatrice, who spoke to him from heaven. But with the Renaissance, poets found their angels nearer home and less angelic: in Elizabethan times, on the streets and in the Court; in the 18th Century, in the boudoir or the salon; among the Romantics, anywhere outdoors. But whether divine, semi-divine or human, the Muse was always a woman...