Word: blonds
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Dates: during 1980-1980
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...concert halls. Her interest was art, and she spent her evenings in The Club in Greenwich Village and other haunts of the then avant-garde New York School of painting. At the nearby Cedar Bar, Jackson Pollock caroused, Robert Motherwell discoursed, Willem de Kooning waxed disputatious. Her hair was blond, her figure svelte, her age happily indeterminate (actually mid-30s) and her artistic commitment impeccable. She was on their wave length. Franz Kline, who was perfecting a slashing, black-and-white action painting style, took her with him to study Ingres...
...stiff upper lip when Fleet Street attempted to handicap the Prince's love life. Thus it was highly unusual when Queen Elizabeth II through her spokesman publicly denounced London's Sunday Mirror last month for a story linking the Prince and Lady Diana Spencer, 19, the winsome blond whom many Britons expect to be the next Queen. The Sunday Mirror's response was even more unusual...
...from the Ludlow racecourse grandstand as the Prince rode his Irish chaser, Allibar, to a second-place finish in a three-mile steeplechase. By the time the Prince of Wales' 32nd birthday arrived on Nov. 14, Britain was rife with rumors that Charles' engagement to the sunny blond so often at his side, Lady Diana Spencer, 19, was about to be announced...
Jake is not so much in love with Vickie (Cathy Moriarty) as he is obsessed by her. To him she represents unattainable class: Lana Turner, in The Postman Always Rings Twice, to his John Garfield. Vickie is the silently smoldering platinum blond in a Bronxful of greasy brawlers and dark-haired tarts. He sees her gliding in slow motion through his jerky life, smiling mysteriously, bestowing a Queen Mother nod on some old friend. But what old friend? Why did she smile at him? Can it be she's fooling around with one of them Mafia bums? Or even...
Scorsese and De Niro have been here before: in the good brother-bad brother melodrama of Mean Streets, in the story of a troubled Taxi Driver searching for his blond goddess, in the musical tragedy of two big-band musicians playing king of the hill in New York, New York. And they have faced the same narrative challenge - how to build their vignettes of domestic brutality to a satisfying climax - without ever quite solving it. From the moment Raging Bull introduces its three main characters, the moviegoer knows all there will be to know about them. Jake is the loner...