Word: blende
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...that Producer Darryl Zanuck must soon find some other way of keeping Miss Henie's films fresh than by putting them on ice. To give Sonja presentable, even spectacular, settings in which to display her twinkling, silver-bladed eurythmy is a set designer's holiday. But to blend a plot with her icebound talents is something not even a Zanuck budget seems to be able to accomplish. Happy Landing makes Miss Henie a million-dollar sideshow on a cheapskate circuit...
...than have ever been constructed before, and more of them. His views might well from a third parallel, pointing in the same direction as the two Harvard reports. May the ambitions of all three men as regards building grow closer and clearer until the time comes when they can blend in the achievements of their object together...
...blend of unblushing sentiment and desiccating humor smacks strongly of Dickens at his best. Its success (and that success was so great the first night in Boston that it drew out some dozen curtain-calls) is due in large part to the masterly work of Frederick Leicester who, besides staging the play, plays the principal role. When there is so perfect a coincidence of character and actor, no criticism is called for. Peggy Simpson in the part of the youngest of the corrosive trio is impish and irreverent to perfection; Jane Sterling makes an excellent middle sister, a beautiful, exuberant...
Gist of Author Lin's philosophy is that Occidentals need to be taught "a wise disenchantment and a hearty enjoyment of ife." As a measuring rod for gauging the well-balanced man and nation. Dr. Lin submits a formula based on a blend of realism ("R"), dreams ("D"), humor ("H"), sensibility ("S"), qualified by 4 (abnormally high), 3 (high), 2 (fair) and 1 (low). The ideal formula, says Dr. Lin, is R3D2H352 (a middle-of-the-road balance). Nearest to this ideal are the English, one point low on humor and sensibility. The Germans, Japanese and Russians make...
...impended (which was often), Riabouchinska leaped frantically, shook dazzling tail feathers against the bizarre, glaringly-colored backgrounds of Nathalie Gontcharova. With the often repetitious opera airs of Rimsky-Korsakov cut to ballet length, Le Coq d'Or made good colorful sense, its choreography by Michel Fokine a happy blend of pantomime, burlesque, Russian boot kicks and the classic style at which the Monte Carlo troupe excels-dancing sur les pointes (on the toes...