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Reflecting on Kathryn Bigelow's historic Oscar win, on the Huffington Post...

Author: /time Magazine | Title: Verbatim | 3/22/2010 | See Source »

...Avatar won only three of the nine categories for which it was eligible - the door prizes of Cinematography, Art Direction and Special Effects - and its begetter, James Cameron, supped on the special gall of losing Best Picture and Best Director to The Hurt Locker and his ex-wife Kathryn Bigelow, respectively. The Hurt Locker was also up for nine Oscars. It won six, and the evening's bragging rights...

Author: /time Magazine | Title: Oscar Wrap-Up: Why Avatar Lost | 3/8/2010 | See Source »

...question, The Hurt Locker is a near perfect war film and an excellent choice for Best Picture. Bigelow's job wrangling this orphan project into shape, and her shot-by-shot mastery of the story, should be considered no less impressive than her swaggering hero's effectiveness in defusing bombs on Baghdad streets. The same goes for Mark Boal's winning screenplay, based on his reporting for a Playboy nonfiction piece about IED squads (which really should have put the script in the Best Adapted Screenplay category). (See pictures of James Cameron's special effects...

Author: /time Magazine | Title: Oscar Wrap-Up: Why Avatar Lost | 3/8/2010 | See Source »

...Bigelow has often found herself at the center of discussions on gender and filmmaking; this year, as the fourth female director ever to be up for an Oscar, she is even more so. The topic sends her back to her art-world days. "I never thought of a particular artist or school of art in gender terms," she says. And yet she accepts the idea that she might be a role model and is sympathetic to the fact that, as she puts it, "the journey for women in many venues - be it politics, business, film - is a long and difficult...

Author: /time Magazine | Title: Kathryn Bigelow: The Front Runner | 2/18/2010 | See Source »

Fiennes, who plays a small role in The Hurt Locker, says Bigelow is "incredibly wired with enthusiasm and excitement. It's physical, palpable, when she sees a shot or a moment that is working." Mark Boal, who wrote and co-produced The Hurt Locker, likens her to an athlete going onto the field: "She's pretty switched on when the cameras start going...

Author: /time Magazine | Title: Kathryn Bigelow: The Front Runner | 2/18/2010 | See Source »

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