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Harris is still hanging in there. Those earlier diversions-which were packaged under the title A Man Called Horse -were games at summer camp compared with the exquisite natural tortures that he endures in Man in the Wilderness. This time he appears as a trapper named Zachary Bass, who roams the Pacific Northwest during the early 18th century. The film has barely begun before Harris is attacked by a grizzly. Badly mauled, Harris is left for dead by the other members of his expedition, under the command of salty old Captain Henry (John Huston). He vows revenge. After virtually resurrecting...

Author: /time Magazine | Title: Cinema: Ah, Wilderness! | 12/6/1971 | See Source »

...does," a disgruntled bass dropped on his way out the door of Sever...

Author: By Mary Tanner, | Title: Collegium Musicum | 12/1/1971 | See Source »

...about half blues, and half old pop tunes, with only two new songs (which comprise two-thirds of Bonnie's song-writing output). One of the originals, "Finest Lovin' Man" is a straight blues, featuring exciting instrumental work by Bonnie, Junior Wells on harp, and Danny Freebo on Bass. "Thank You" is a pretty ballad in the Curtis Mayfield vein, with Bonnie on piano and Willie Murphy playing a beautiful soft lead guitar...

Author: By Andy Klein, | Title: Bonnie Raitt | 11/23/1971 | See Source »

...conservationist. On the head of every member of the Foot Guards, for example, rises half a Canadian bearskin; from the helmet of the Household Cavalryman sprouts a plume of yak hairs. Whenever the army's 88 military bands wheel into action, the soldiers who carry the big bass drums drape themselves in the skins of leopards and tigers...

Author: /time Magazine | Title: The World: Save That Tiger (Not That Yak) | 11/22/1971 | See Source »

...operatic power somewhat away from the Met toward the smaller companies that shared in her development. It has also paved the way for future young American singers to build a career on native grounds without resorting to the borrowed prestige of Europe or the Met. Norman Treigle, the superb bass baritone who rose with Beverly in the New York City Opera, says, "Both of us were busting our cans in the beginning. We made a sort of pact that we were going to show what the American singer could...

Author: /time Magazine | Title: Music: Beverly Sills: The Fastest Voice Alive | 11/22/1971 | See Source »

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