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...through a slide guitar solo, so soft and laden with vibrato, that it seems to be pedal steel. But its words are western. The same can be said for "Earlybird" whose "The eagle flies alone. He is free," is par for Eagles's songwriting. Musically, the simplicity of the bass line, the thin sound of drums, and in "Earlybird: the banjo and the faraway slide guitar, lend to a total sound that is remarkably unadorned...

Author: By Frederick Boyd, | Title: Take it Easy, But Take it From Somewhere | 10/5/1972 | See Source »

...again until mid-October. Darius, meanwhile, will be writing some new material for the quartet. Chris will be playing with New Heavenly Blue on weekends, while also trying to raise a B average to an A at the University of Michigan, where he is majoring in music and the bass trombone. Danny will be deciding whether to stay in Darius' group or head south to the North Carolina School of the Arts...

Author: /time Magazine | Title: Music: Poppa Dave | 9/11/1972 | See Source »

...even keel by keeping the time and most of the beat, and most importantly, filling out the sound as though there was a horn section. Ask Keith Richards, he's the best around. But his energy and his unbounded onstage joy carry Poco, and seep into Timothy's bass playing. George's drumming, and Paul's guitar work, resulting in five people chanelling their creative energies into the joy of making music for people...

Author: By Frederick Boyd, | Title: Child's Claim to Fame | 8/15/1972 | See Source »

...play Isolde and the three Brünnhildes at the Met. Many critics considered her superior to her rival, Kirsten Flagstad. Independent and unstuffy, she was dropped by Met Manager Rudolf Bing for singing in nightclubs. She withdrew to care for her ailing husband and former business manager, William Bass...

Author: /time Magazine | Title: Milestones, Aug. 7, 1972 | 8/7/1972 | See Source »

...found his horn section, nearly intact, backing Stevie Wonder at the Rolling Stones Concerts.) In 1965, Paul Butterfield formed the first, and maybe the best, integrated Chicago-style blues band. He had Mike Bloomfield and Elvin Bishop on guitars, Sam Lay on drums, Jerome Arnold on bass, and Mark Naftalin on keyboards. Magnificent blues musicians all, but the instantly recongizable names are Bloomfield and Bishop. The albums they made for Electra, particularly the first, rank with the finest blues albums to come from Chicago...

Author: NO WRITER ATTRIBUTED | Title: Blues in the Night | 8/4/1972 | See Source »

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