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...every "Jungleland" though, there is a "Tenth Avenue Freeze-Out," which is not complex musically but, like the bass line in "Sunshine of Your Love," allows for incredible solos. Contrasting to the tightness of "She's the One" is the emotion of "Night," where Springsteen's vocal and Clarence Clemon's blaring, buzzing sax transcend the simple message--"You work from nine to five/And somehow you survive/Till the night"-- and make boredom and anguish palpable...

Author: By Tom Blanton, | Title: Out on the Turnpike | 10/2/1975 | See Source »

...instance, take tonight. Stanley Cowell, one of the finest jazz planists to come into the picture in a long time, opens up for a four-day engagment in the Jazz Workshop. He's not alone. He's got the Health Brothers, Jimmy on tenor and Percy on bass, and Billy Higgins on drums to round the rhythm section...

Author: By James Cramer, | Title: Jazz | 9/25/1975 | See Source »

...began seven years ago when the Longmuir brothers, Bass Guitarist Alan, then 19, and Drummer Derek, then 16, started a rock group called the Saxons. They rehearsed in their parents' tenement apartment. "They had the most patched-up bunch of electronic junk I'd ever seen," says Tam Paton, their manager. They also had, he recalls, "a freshness and an eagerness to please that were very appealing." A perhaps marketable, boy-next-door look, in other words...

Author: /time Magazine | Title: Music: Hype or Hope? | 9/22/1975 | See Source »

...argument too many with his father about learning a trade, the boy left home for good at age 14 to become a honky-tonk pianist. It was the only trade he cared about. No doubt Joplin could play "ragged time," as it was first called because of its bouncing bass and syncopated right hand, as bumptiously as the next man. But by the time he began writing his rags down in the late 1890s, they had obviously become objects of care, even personal meaning...

Author: /time Magazine | Title: Music: Scott Joplin: From Rags to Opera | 9/15/1975 | See Source »

...Easy Rider by The Band, Steppenwolf, etc. Today, directors want a more symphonic approach. The Jaws theme is played by a 75-piece orchestra. Disaster films have enhanced the value of lush orchestral work. "Imagine," says Newman, "The Towering Inferno, for instance, raging to the obbligato of a Fender bass and a wah-wah guitar...

Author: /time Magazine | Title: Music: Reels of Sound | 9/8/1975 | See Source »

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