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...himself growing wearier and wearier of "the constant roar in the city, the intensity and impersonality of it." With his wife, he decamped to St. Helena, a tiny town in the Napa Valley wine country. He still earns less than $15,000 a year, but he can fish for bass in the local ponds and at night hears only the calls of coyotes...

Author: /time Magazine | Title: Americans on the Move | 3/15/1976 | See Source »

...skeletal sets have just the right blend of reality and make-believe. As Doll, Catherine Malfitano, 27, acts intelligently and sings with a clear lyric soprano; she is obviously going places. The rest of the cast is almost as good, notably Mezzo Joy Davidson (Hannah), Bass Thomas Paul (Bilby) and Tenor Jack Trussel (Shad...

Author: /time Magazine | Title: Music: Houston's Doll | 3/8/1976 | See Source »

...last performance of The Barber of Seville. Levine had seen and heard it countless times before. That did not matter to the man charged with preserving and restoring the troubled company's musical excellence. He prefers to make his own quality checks, and besides, a new bass, Andrew Foldi, was singing his first Bartolo...

Author: /time Magazine | Title: Music: The Met's Young Master | 2/23/1976 | See Source »

...five years Mercury and May and their two colleagues, Drummer Roger Meddows Taylor and Bass Guitarist John Deacon, did not have much to show for their declared independence. They suffered from what Taylor describes as "a distinct lack of money." But lately Queen's fortunes have been rising fast. Under the guidance of Manager John Reid, 26, who also handles Elton John, Queen has become the monarch of British rock. A few weeks ago, Bohemian Rhapsody, a six-minute cut that mingles introspection with Gilbert and Sullivan operatics, hit the top of the British music charts. Queen...

Author: /time Magazine | Title: Music: Hail to Queen | 2/9/1976 | See Source »

Died. William Lundigan, 61, perennial supporting actor; after a long illness; in Duarte, Calif. A radio announcer in his native Syracuse, N.Y., Lundigan caught the ear of a movieland talent scout with the resonance of his bass voice. Signed on the spot to his first film contract, a commercial for a Tarzan film, Lundigan went to Hollywood in 1937. He played in such rough-and-tumble epics as Dodge City (1939) and The Fighting 69th (1940); otherwise, he said, "nothing much happened" in a 17-year career during which he appeared in more than 125 films. Later Lundigan moved...

Author: /time Magazine | Title: Milestones, Jan. 5, 1976 | 1/5/1976 | See Source »

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