Word: banjo
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...Grenville's The Secret River, on which Michael Fitzgerald based his visit to the Hawkesbury, is only the latest work to refer to rivers. Your editor's letter was right in suggesting that the dryness of so much of the continent gives rivers a special significance. Every Australian knows Banjo Paterson's The Man From Snowy River, but rivers also come up frequently in the poetry of Harry "Breaker" Morant. One of his best-known verses is At the River Crossing. Henry Lawson was another poet who wrote a lot about rivers. A stanza from his Song of the Darling...
...those rules are finally changing, that voters everywhere are ready for a sharp critique of what's gone wrong. And he has one advantage his opponents lack: a sweet-tea voice that makes his tough talk go down easy. He isn't ranting; he's twanging like a bluegrass banjo, rolling along in full control-outraged on behalf of people who have lost their jobs or pensions to corporate restructuring, people who watch their children go off to "this mess of a war in Iraq." And he's enthusiastic about all the things he'll do for these people...
...FIERY, 14-minute live performance on The Ed Sullivan Show in 1961, banjo-playing singer-songwriter Tommy Makem, with his bandmates the Clancy Brothers, had catapulted Irish folk music into the mainstream. By infusing tunes like Four Green Fields and Gentle Annie with a raw, modern energy, the charismatic baritone became one of the biggest stars of the '60s folk revival. Among his fans: Bob Dylan, John Hammond and John F. Kennedy, who in 1963 asked the group to play at the White House. Makem was 74 and had cancer...
Ultimately, he hired Barzelay to develop a “soundtrack to Hal” that reflected the main protagonist’s confused, angst-ridden life in its ensemble of instruments—which included the accordion, cello, and banjo...
...generations ago, George Eastman, founder of Eastman Kodak, gave Rochester a movie house. Better than that, he commissioned a brilliant young painter to create posters of the films on view. Alas, many of those celluloid epics have long since been turned into banjo picks, but the artwork survives in Movie Posters: The Paintings of Batiste Madalena (Abrams; 64 pages; $14.95). Here the famous and the forgotten are captured in the forceful style of art deco. Once upon a screen, these vamps, clowns and pirates romanced in a world of black and white. But outside the theater, Madalena made them leap...