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...Deutschland - German for West Germany.) Among the more than three hours of documentaries and specially produced features on disc four are exceptionally lucid interviews with Fassbinder's three stars, Hanna Schygulla, Rosel Zech and Barbara Sukowa. The audio commentary on Maria Braun is by director Wim Wenders and Michael Ballhaus, Fassbinder's (and now Martin Scorsese's) always brilliant cinematographer...

Author: /time Magazine | Title: A Criterion Top 10 | 11/10/2006 | See Source »

...persuade their priestly mentor to supply an alibi for the murderers by lying on the witness stand. This offers amusingly gainful employment for Dustin Hoffman as a bumbling defense lawyer. It is all legally preposterous. But Levinson is a slick craftsman, his actors are insinuatingly real, and cinematographer Michael Ballhaus casts a disarmingly believable light on these proceedings. At some low, what's-next level, Sleepers works like, well, gangbusters...

Author: /time Magazine | Title: CINEMA: CRIMES OF THE HEART | 10/28/1996 | See Source »

...childhood and piano lessons) is done with similar subtlety. Kloves' delicacy as a writer is, moreover, matched by his restraint as a director. It would have been easy to patronize or satirize the less than fabulous milieu of The Fabulous Baker Boys. Instead he and his fine cinematographer, Michael Ballhaus, have created a gently dislocating noirish mood -- not quite menacing but not exactly comfortable either -- and let it speak for itself...

Author: /time Magazine | Title: Cinema: Finally, A True Character Comedy | 10/23/1989 | See Source »

Heir presumptive to Jean--Jacques Beneix's Diva and Susan Seidelman's Desperately Seeking Susan, After Hours meanders along to the beat of a surrealistic cinematographic drummer by photography director Michael Ballhaus, who captures that side of New York that Mayor Koch hopes we don't see. Not that Soho after hours doesn't look like an interesting spot, offering the prospective tourist an endless range of entertainment possibilities, ranging from punk rock clubs decorated in a nouveau underground garage to slimy bars frequented by leather and spike clad homosexual bikers. But this is not the kind of thing...

Author: By Cristina V. Colleta, | Title: When the Lights Go Out in SoHo | 10/4/1985 | See Source »

Scorsese has told his tale at a pace just a little fizzier than the merely lifelike, encouraged his cameraman Michael Ballhaus to light it one notch brighter than reality, one notch darker than fantasy. His splendid actors never pause to explain their strange behavior. The result is a delirious and challeng- ing comedy, a postmodern Ulysses in Nighttown...

Author: /time Magazine | Title: Cinema: Mean Streets in Nighttown After Hours | 9/23/1985 | See Source »

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