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...musical score gives an added height to this already great motion picture. Max Steiner composed background music that is not only deep and appropriate, but at the most dramatic times intensifies the rhythms of speech, producing an effect that few other movies have paralleled. The visual effects do not try any labored realism, but concentrate on significant details or on impressionistic views of the city, and the implications become those of timelessness as well as reality. Victor McLaglen is the Judas, the Faust, and although his story relates closely to the particular environment, he is the most important factor himself...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 10/16/1947 | See Source »

...faster. By taking his life and those of the people buzzing around him, Duncan draws a picture of circus business at the turn of the century. Focussed on the middle west, the novel throws all the enchantment, the crookedness and the bitter struggle of early circus business against a background a hysterical free enterprise. As the circus grows, its art is replaced by the character and evils of a big corporation. When the companies begin to crash the circus tumbles after them...

Author: NO WRITER ATTRIBUTED | Title: The Bookshelf | 10/15/1947 | See Source »

Congratulations on the cleverest cover background design that has appeared on TIME in many months. The contrast of the dark skin of Jackie Robinson and the white surfaces of the baseballs is only a starting point for Artist Ernest Hamlin Baker's ingenious arrangement of the red sewing-lines on the baseballs to lead the eye in & out and roundabout the picture area, and to suggest a celestial dream world of baseball in which the happy First Baseman grins his delight...

Author: /time Magazine | Title: Letters, Oct. 13, 1947 | 10/13/1947 | See Source »

...research that evidently went into Desire Me pays off in some pleasant background detail about old-world religious festivals and fairs; but most of the picture smacks of the studio. There is a beautiful stone house on a beautiful stretch of shore: it looks like a fine place to live in, but the principals who live there are not plausible enough to deserve the privilege. Once in a while Greer Garson demonstrates that a good actress is jailed inside all the suffocating wax that the studio has molded around her. Newcomer Richard Hart makes a cagey, personable deceiver. Robert Mitchum...

Author: /time Magazine | Title: The New Pictures, Oct. 13, 1947 | 10/13/1947 | See Source »

...finds that an elderly G-man (Art Smith) is also after the crook. The picture develops into a sort of three-legged rat race, carried on against the background of a small-time posh hotel, a grim little cantina and a turbulent fiesta. The movie has some well-written, better-spoken tough talk, plenty of menace, and some sharp violence. A good deal of it is just routine pocket thriller. But thanks to Director Montgomery and Producer Joan Harrison there is also some good New Mexican location atmosphere...

Author: /time Magazine | Title: The New Pictures, Oct. 13, 1947 | 10/13/1947 | See Source »

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