Word: bacharach
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Dates: during 1990-1999
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...thrill of actually seeing band members in person is transitory at best. Stereolab is no stranger to personnel changes. What hasn't changed is the thrill of hearing where Stereolab is going next, whether it's a casting out for funkier shores or spending a night in with Burt Bacharach and martinis. The next stop on their magical mystery tour? Soul. Not James-Brown-soul, although the drawn-out, reverb ad infinitum song endings the band took to performing at the Roxy do recall the virtuoso rock-outs that end so many soul anthems. This was soul...
...result of this symbiosis is Music from the Motion Picture Magnolia (Reprise), Mann's first release in four years. It includes eight new songs in a curvaceous, melodically rich style evocative of Burt Bacharach and the Beatles. Two of the best songs, You Do and Save Me, Mann wrote for Magnolia; others were lifted from Bachelor No. 2, to be released next year on her new indie label, SuperEgo. Magnolia may be the best thing to have happened to sound tracks since Mike Nichols sat down with Simon and Garfunkel and came up with The Graduate. While it's unlikely...
...tries to avoid the charge of merely trying to cash in by including snippets of dialogue and a fair number of movie-relevant songs (They Might Be Giants' "Dr Evil"). Unlike the hero of the execrable movie, the album remains firmly fixed in the '60s. It sadly lacks the Bacharach tunes and kitschy cover versions of the first two soundtracks, but it has a solid sense of pop music in Swingin' London, including the Monkees' "I'm a Believer" and the Zombies' "Time of the Season." The Guess Who's original version of "American Woman" also surfaces, the anti-American...
...label for their often-silly post-kitsch nods to pissed-off ex-boyfriends and love-struck goofballs, but it hardly accommodates the stylish, lingering sway delivered here. The grandiose sweep of "Narcolepsy" leads into a series of cool, ruminative ballads echoing the mellow-sweet classical pop of Bacharach and Rundgren. Folds blends everything from the country-western atheistic lament "Mess" to the lovely, disaffected suite of "Hospital Song," "Army," "Your Redneck Past" and "Regrets." The subdued and heartfelt "Jane" transforms him into a breathy late-night lounge singer. Lit by utter honesty and padded with flugelhorns and violins, the album...
...this gives me hope for the future of the Grammys." Of course the industry's pundits may have some trouble decoding the genre-bending messages from Wednesday's award ceremony -- Shania Twain's close-cropped black-leather stylings confirmed that country music has wandered far from the range; Burt Bacharach picked up his third pop Grammy in as many decades; and Best Hip-Hop Album went to Jay-Z, who combined ghetto-reality lyrics with a chorus from the musical "Annie...