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...Sontag of the 60's was an observer and analyst of the avant-garde, a cultural critic that showed us ourselves. She always learned toward the esoteric. Who would have guessed a generation of trendy academics would make the formerly well-known story of Sir William Hamilton obscure...

Author: By J. ELIOT Morgan, | Title: Sontag Finds New Style for '90s | 10/8/1992 | See Source »

Mnouchkine calls herself populist but is scholarly enough to borrow from a dozen classical cultures, ranging from British to Balinese. She heatedly denies being avant-garde but despises realism as "the end of theater" and shrugs off as "limiting and uninteresting" questions about the inner life or psychology of her characters. She delights in interrupting a tense narrative with choral dance and music staged in a highly personal melange of styles, mostly from Asia, which she considers "the true home of acting." Having argued a few years ago that no Westerner could understand Shakespeare because no one (except, of course...

Author: /time Magazine | Title: Classical Spellbinder | 10/5/1992 | See Source »

...Your Eyes" also foreshadowed another departure from Gabriel's early work. Senegalese singer Youssou N'Dour performed background vocals on the track; that's right, an African harmony appeared in the avant-garde British musician's song. In 1989, Gabriel cemented his place in the fraternity of Western world-beat rockers--Paul Simon and David Byrne are the other members--when he released Passion, the Middle East-tinged soundtrack to Martin Scorsese's Last Temptation of Christ...

Author: By Dante E. A. ramos, | Title: Peter Gabriel Abandons Role as King of PC Pop | 10/1/1992 | See Source »

...view that Matisse was as avant-garde an artist as Picasso hardly took general hold in America until the 1960s, and came from his late work. For some years before his death in 1954, Matisse had been working to solve the split he had always experienced between drawing and painting. By cutting shapes out of precolored paper -- cutting, as he saw it, directly into the color -- and then pasting them on the surface, he closed the gap between outline drawing and color patch. As in Memory of Oceania, 1952-53, he gave the art of collage a brilliance, size...

Author: /time Magazine | Title: Art: Matisse The Color of Genius | 9/28/1992 | See Source »

...with a crouching woman drying her feet, represents: Matisse didn't know himself. But the antique mold was a perfect receptacle for some of his plastic obsessions, such as the human back, and for the Arcadian vision he inherited from the past and shared with other avant-gardists like Stravinsky...

Author: /time Magazine | Title: Art: Matisse The Color of Genius | 9/28/1992 | See Source »

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