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Pianist/composer Fox is well-regarded as a leader in the contemporary fusion of jazz and classical music. Murray is one of the the foremost tenor saxophonist of his generation, notable for his mastery of the avant-garde "free jazz." An eager crowd gathered in Holmes Hall Living Room on this cloudy afternoon, many present for the chance to enjoy these musicians for free, others, including several Harvard student musicians, anxiously awaiting the opportunity to make and learn music in the company of these masters...

Author: By James B. Loeffler, | Title: Jazztalk, Improvisation, and Funny Hats in the Quad | 11/18/1993 | See Source »

...learned early on that the great composers like Mozart and Beethoven were also terrific improvisers, Fox said. He described how jazz music has moved in one century through all of the phases that Western classical music did in three, progressing from folk expression to avant-garde experimentation. Fox feels that jazz, like current classical music, sacrifices originality for technical perfection. He emphasized that "Jazz is about exploring," and that this element must be preserved. Theory and form should take a backseat to creativity, explained Fox, and he offered his paraphrase of Stravinsky as evidence: "Stravinsky said, `I like this chord...

Author: By James B. Loeffler, | Title: Jazztalk, Improvisation, and Funny Hats in the Quad | 11/18/1993 | See Source »

...outrageously fast,aggressive and repetitive drum work associatedwith the early '80s Washington DC hardcore scene.The music of Bad Religion also owes a substantialdebt to, of all things, Klezmer. Klezmer wasinvented in Eastern Europe and has been kept aliveby Yiddish radio programs, bands who play barmitzvahs, and increasingly, by avant-garde jazzperformers. At its best, Bad Religion seamlesslyintegrates the soaring melodies of Klezmer withthe tasty fury of hard-core...

Author: NO WRITER ATTRIBUTED | Title: The revival is here | 11/18/1993 | See Source »

Fogg Art Museum. Through Nov. 14: "American Painting at Mid-Century: Highlights from a Private Collection." Considers the vital moment in history of avant-garde painting in New York by artists such as Andy Warhol, Jasper Johns, Willem de Kooning and Frank Stella. Through Nov. 11: "Portrait, Prospect and Poetry: British Drawings from the Grenville L. Winthrop Bequest." Featuring works by artists such as William Blake, Aubrey Beardsley and John Constable. Through Jan. 6: "The Art of Time: Clocks, Watches, and Other Timepieces from Harvard Collections." Includes many historically significant pieces seldom seen in public. The inner works of each...

Author: NO WRITER ATTRIBUTED | Title: At Harvard Daily Entertainment & Events | 11/11/1993 | See Source »

...Wilson, avant-garde theater person that he is, has done some pretty odd work himself. And Waits, respected musician that he is, has over the years branched out into acting (the lunatic in Bram Stoker's "Dracula," Lily Tomlin's husband in "Short Cuts," and lots of roles in assorted Jim Jarmusch movies) and soundtracking (again with Jarmusch, most recently composing the music for "Night On Earth"), but he has never attempted anything on this scale. So, whatta we got...Tom Waits collaborating with Wilson and writing music for a German orchestra...throw in William S. Burroughs singing...

Author: By Seth Mnookin, | Title: Human Oddities | 11/11/1993 | See Source »

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