Word: aurora
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...movie begins with anxious, ferocious Aurora Greenway (Shirley MacLaine) clambering up over the side of her baby's crib and hurling herself on the tot, hysterically convinced that she has only seconds to administer the kiss of life to her darling Emma and save her from crib death. Naturally, all she does is disturb a healthy infant's sleep. From this scene it is obvious that Terms of Endearment is a comedy...
...wait. What about uptight Aurora and that raffish former astronaut, Garrett Breedlove (Jack Nicholson, giving a joyously comic display of just the kind of wrong stuff that appalls and attracts her)? Merely thinking over the possibilities he presents takes some comical time. He has been living next door to Aurora for ten years before she hints that she might entertain a luncheon invitation from him. Five years later she actually accepts it. Thereupon a woman who once told an admirer not to worship her unless she deserved it plunges giddily into a relationship with a man she knows suffers that...
...Brooks sees them, his movie's mother and daughter are actually sisters under the skin, connected not just by kinship but by subtle parallels of emotions and experience. Aurora appears initially to be no more than that familiar figure of satire, the American Mom as American Nightmare, all coy snarls and fierce demureness, while Emma, protected only by a thin skin of perkiness, seems to be her victim. "You aren't special enough to overcome a bad marriage," Aurora snaps on the eve of Emma's wedding, voicing her own fears about what might happen...
...when Emma moves out, Aurora discovers that her child has no corner on inappropriate males. After Flap takes a job in Des Moines ("You can't even fail locally," cries Aurora, whose contempt for her son-in-law is her one immutable, hilarious quality), a plaintive note creeps into her obsessive phone calls to her daughter. Parent is now becoming a dependent, in need of a confidante, especially with that astronaut orbiting around...
...this role reversal one more time and arrive at a balanced acceptance of each other? Emma's illness provides the occasion for that final adjustment. Inevitably her growing weakness draws the young woman back toward childish dependency, and the need to defend her daughter against suffering summons forth Aurora's old ferocity. Whether she is questioning empty medical pieties or keeping poor Flap shaped up ("One of the nicest qualities about you is that you always recognized your weaknesses; don't lose that quality when you need it most") or bullying the nurse into administering a delayed...