Word: arpeggios
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Dates: during 1990-1999
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...well-suited to the fierce leaps and skips of the third prelude, "The Wind of the Plain." It was equally fun to watch him grab fistfuls of notes with such glorious abandon in "The Hills of Anacapri," the ending of which seemed contrived by Debussy to recall the final arpeggio of the earlier "Gardens in the Rain" from his "Estampes." Pollini's mastery of Lisztian technique was evident in the whirling "What the West Wind Saw," and his refined yet poetic sensitivity in "The Girl With the Flaxen Hair," which too often suffers from overwrought performances, made one wish...