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...Chicago, testy old (87) Architect Frank Lloyd Wright casually disclosed his latest high-flown fantasy: a one-mile-high, 510-story office building for the Loop. Topped with a 330-ft. TV antenna, it would be four times taller than the Empire State Building. "It's perfectly scientific, and perfectly feasible," he said, brushing aside questions on how he would get 100,000 office workers in and out of the building on time, or what he would do about the planes that cross the area at considerably less than 5,600 ft. "If you're going to have...

Author: /time Magazine | Title: People, Sep. 10, 1956 | 9/10/1956 | See Source »

Glitter on the Lagoon. Last week in New Delhi, Chief Justice Earl Warren took time out from his crowded traveler's agenda to set the cornerstone for the handsomest new embassy to date, a $1,000,000, gilded-aluminum columned, concrete-and-marble chancery. Its designer: Manhattan Architect Edward D. Stone, a co-designer of Manhattan's Museum of Modern Art and architect for Panama's superdeluxe, 300-room El Panama Hotel. When it is completed in early 1958, it will perch over a null lagoon and glitter in the hot Indian sun like a maharaja...

Author: /time Magazine | Title: Art: Taj Mahal Modern | 9/10/1956 | See Source »

Ironically, it was not the needs of building for an old culture, but requirements raised by the gasoline engine that confronted Architect Stone, 54, with his first problem. "In India it is so hot," Stone explains, "that cars have to be parked under shelter or else they turn into ovens. To get them under cover, we raised the building on a marble platform or podium. We are using a precedent of antiquity. Even the Taj Mahal is built on a great square platform...

Author: /time Magazine | Title: Art: Taj Mahal Modern | 9/10/1956 | See Source »

...beat the 100°-plus heat, Architect Stone borrowed another device from Indian buildings, extended the roof 20 ft. to create a portico supported by narrow, gilded-aluminum columns that run around the whole perimeter. From the Taj Mahal he borrowed the idea of marble and ala baster grilles to cut down glare, but to keep the execution modern. Stone designed a screen of pierced tile that will drop from roof to floor, giving the two-story building an expansive one-story appearance. A double roof with air conditioning will do the job lyth century Indian builders solved with...

Author: /time Magazine | Title: Art: Taj Mahal Modern | 9/10/1956 | See Source »

Edward Stone, the State Department and the Indian government are all pleased with the resulting design. "I think the outstanding thing about it is its calmness and serenity, which an Indian building should have," says Architect Stone. "Frank Lloyd Wright, who never seems to like anybody else's work, told me that this was one of the finest buildings in the last hundred years...

Author: /time Magazine | Title: Art: Taj Mahal Modern | 9/10/1956 | See Source »

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