Word: appasionato
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Dates: during 1990-1999
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Bartok's First Violin Sonata, while heavily influenced by the atonality of Schoenberg, abounds with injunctions of "espressivo" and "appasionato". A listener not aware of this might have thought from Chase's performance that Bartok, desiring some special effect, had ordered the violinist to play dispassionately, and vibrato only selectively if at all. While the first movement is supposed to be tense in character, the rigidity manifest in Chase did not seem quite appropriate. Her sound was frequently forced, and what at first seemed like a special effect--the fact that her vibrato began only after half of each note...